By Ram Puniyani
04 November, 2011
Countercurrents.org
Countercurrents.org
Recently Delhi 
University Academic Council (Oct 2011) decided to drop the scholarly 
essay “Three Hundred Ramayanas” of A.K.Ramanujan, on different telling 
of Ram’s story from the syllabus of ‘Culture in India’ for BA Honors 
students. Of the four experts on the committee, one of them, whose 
opinion was finally accepted, said that undergraduate students will not 
be able to tolerate the portrayal of divine characters in the different 
versions given in the essay. In response to the ban while Akhil Bhartiya
 Vidyarthi Parishad, which is an affiliate of RSS, and company 
celebrated, the staff and many students protested against this ban. Just
 to recall earlier in 2008 ABVP activists had protested against the 
introduction of this essay, and indulged in vandalism on the issue. 
This essay by the much acclaimed scholar, 
A.K.Ramanujan is part of his "The Collected Essays of A.K.Ramanujan 
(Oxford 1999). Earlier in the aftermath of Babri demolition, a Sahmat 
exhibition on different versions of Ramayana was attacked by RSS 
combine's goons in Pune in 1993. This was done on the pretext that one 
of the panels based on Jataka (Buddhist version) showed Ram and Sita as 
brother and sister, and it is an insult to their faith. Ramanujan's 
essay talks of different versions and presents five of them as an 
example.
It is known that there are hundreds of versions of 
Ramayana, Buddhist, Jain, Valmiki etc. Paula Richman in her book Many 
Ramayana's (Oxford) describes several of these. And again there are 
different interpretations of the prevalent Valmiki Ramayana, many of 
which are not to the liking of those who are indulging in politics in 
the name of their faith. Surprisingly all this intolerance is shown by 
those who assert that Hinduism is tolerant and other religions are 
intolerant.
It is a fascinating exercise to go through various 
tellings and interpretations of Ramayana. Even the other renderings 
acceptable to this intolerant but currently dominant political force are
 not uniform. Valmiki, Tulsidas and later the one adopted by Ramanand 
Sagar for his serial Ramayana have their own subtle nuances, which are 
very different from each other.
Ramayana has been rendered in many languages of Asia
 in particular. Ramanujan points out that the tellings of Ram story has 
been part of Balinese, Bengali, Kashmiri, Thai, Sinhala, Santhali Tamil,
 Tibetan and Pali amongst others. There are innumerable versions in 
Western languages also. The narrative in these is not matching. Those 
opposing this essay take Valmiki as the standard and others as 
diversions which are not acceptable to them for political reasons. The 
version of Ramayana, the communalists want to impose has the caste and 
gender equations of pre-modern times so it is hung up upon only that 
version as the only one acceptable to it.
Interestingly one can see the correlation between 
the class-caste aspirations of the narration-interpretation. In Buddhist
 Dasharath Jataka, Sita is projected both as sister and wife of Ram. As 
per this version Dashrath is King not of Ayodhya but of Varanasi. The 
marriage of sister and brother is part of the tradition of glorious 
Kshtriya clans who wanted to maintain their caste and clan purity. This 
Jataka tale shows Ram to be the follower of Buddha. Similarly Jain 
versions of Ramayana project Ram as the propagator of Jain values, 
especially as a follower of non-violence. What do both Buddhist and Jain
 versions have in common is that in these Ravan is not shown as a 
villain but a great spiritual soul dedicated to quest of knowledge, 
endowed with majestic commands over passions, a sage and a responsible 
ruler. Popular and prevalent "Women's Ramayana Songs" of Telugu Brahmin 
Women, put together by Rangnayakamma, keep the women's concern as the 
central theme. These songs present Sita as finally victorious over Ram 
and in these, Surpanakha succeeds in taking revenge over Ram.
In Thai Ramkirti, or Ramkin (Ram's story), there is a
 twist in the tale and Shurpanakh's daughter decides to take revenge 
attributing her mother’s mutilation primarily because of Sita. More 
interestingly here the focus is on Hanuman, who in this telling is 
neither devout nor celibate but quite a ladies’ man, looking into the 
bedrooms of Lanka. In Valmiki, Kampan and Tamil tellings Hanuman regards
 seeing another man’s sleeping wife as a sin, but not in this Thai 
version. Incidentally he is a very popular Thai hero even today. Also 
like Jain Ramayana this Thai telling focuses on genealogy and adventures
 of Ravana and not of Ram. 
In recent times Jotiba Phule who stood more with the
 interests of Dalits and women, was amongst the first to interpret this 
mythological tale from the perspective of those subjugated by 
caste-varna-gender hierarchy. Phule points out that upper castes were 
descendents of conquering Indo-Europeans who overturned the original 
egalitarian society and forbade the conquered from studying texts. His 
mythology is woven around King Bali, who could invoke the image of 
peasant community. Needless to say his murder by Lord Ram from behind is
 condemned and is seen as an act of subjugation of lower castes by the 
upper castes. And Ram is seen as an avatar of Vishnu out to conquer the 
land from the Rakshasas (those protecting their crops) for establishing 
the hegemony of upper caste values of caste and gender hierarchy.
Dr. Ambedkar and Periyar's commentaries are more an 
alternative reading of the Valmiki's text rather than a separate 
version. There is a good deal of overlap in the interpretation of both. 
Dr. Ambedkar focuses his attention on the issues pertaining to Ram's 
killing of Shambuk for violating the prevalent norm where a low caste 
has no right to do penance, tapasya. Like Phule he also castigates Lord 
Ram for murdering the popular folk king Bali. He questions Ram's act of 
taking Sita's agnipariksha, trial by fire, and his patriarchal attitude 
towards her. After defeating Ravan he tells Sita that he had done all 
this battle not to get her released for her own sake but to restore his 
honor, and his banishing her in response to the rumors about her 
chastity when she was pregnant comes for severest criticism from 
Ambedkar.
Periyar is basically taking the same line but in his
 interpretation the North Indian upper caste onslaught-South Indian 
resistance becomes the central theme. Periyar the initiator of ‘Self 
Respect Movement’ was the pioneer of caste and gender equality in 
Tamilnadu. In one of the movements, which is very less known, on the 
lines of Dr. Ambedkar burning Manusmriti, he planned to burn the photo 
of Ram, as for him Ram symbolized the imposition of upper caste norms in
 South India. This was a part of his campaign against caste Hinduism. 
Periyar also upheld Tamil identity. According to him the Ramayana story 
was a thinly disguised historical account of how caste ridden, 
Sanskritic, Upper caste North Indians led by Ram subjugated South 
Indians. He identifies Ravan as the monarch of ancient Dravidians, who 
abducted Sita, primarily to take revenge against the mutilation and 
insult of his sister Surpanakha. In his interpretation Ravana is 
practitioner of Bhakti, and is a virtuous man.
It seems the dropping of the essay from syllabus is 
under indirect political pressure of communal forces. RSS and affiliates
 who have reaped rich benefit from the campaign around Lord Ram are also
 giving the political message of caste and gender hierarchy, through the
 version upheld by them, the one of Valmiki and presented in current 
times by Ramanand Sagar’s tele serial Ramayana. And the politics 
claiming to be tolerant is intolerant about scholarly renderings of 
‘Many Rams: Many Ramayanas’ prevalent World over! 
706 Comments
   