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Showing posts with label ball. Show all posts
Showing posts with label ball. Show all posts

Tuesday, 4 July 2023

Cricket Explained: When does a Ball Become Dead

By Wisden Staff

The controversial dismissal of Jonny Bairstow on day five of the second Ashes Test has sparked a debate over the dead ball rule. But when does the ball stop being in play?

Bairstow ducked under the last delivery of the 52nd over, bowled by Cam Green, and the ball safely nestled into the hands of wicketkeeper Alex Carey. Bairstow, assuming the ball was dead and the over complete, strolled out of his crease towards non-striker Ben Stokes. The alert Carey, however, immediately threw the ball towards the stumps, and the series-defining direct hit sent back Bairstow, who was well short.

When does the ball become dead?

Law 20 of Cricket talks extensively about the various instances when the ball will become dead. For this particular instance, two clauses can be referenced.

According to Law 20.1.1.1, the ball is dead when it is “finally settled in the hands of the wicketkeeper or of the bowler.” Only the umpire can decide whether the ball is finally settled or not, according to Law 20.2.

Related Story: Watch: The 2006 McCullum run out of Muralitharan that resurfaced after the Bairstow controversy

Law 20.1.2 further elaborates: “The ball shall be considered dead when it is clear to the bowler’s end umpire that the fielding side and both batters at the wicket have ceased to regard it as in play.”

Was the ball dead during the Carey-Bairstow incident?

Replays of the over show Bairstow wandering out of his crease thrice. On the third instance, Carey hit the stumps. On all occasions, Bairstow slid his right foot across the crease after the ball had been delivered and left by him, presumably indicating that he would not be running. He probably assumed the ball was dead.

However, the Laws clearly indicate that the ball is live until the “fielding side and both batters at the wicket” think otherwise.

In this particular incident, a reverse angle revealed that Carey instantly threw the ball back towards the stumps in one motion, even before Bairstow had stepped out. Carey and his teammates clearly considered the ball to still be in play, and hence, it was not considered a dead ball.

Crucially, Bairstow was still in his crease when Carey threw the ball. He did not wait to release the ball, there was no doubt that Australia still regarded the ball live and in play.

Monday, 6 December 2021

Looks fast, feels faster - why the speed gun is only part of the story

Data on release points and trajectory are helping to break down the mysteries of why some bowlers are harder to face than others writes Cameron Ponsonby in Cricinfo



Shubman Gill ducks a Pat Cummins bouncer during India's Test tour of Australia in 2020-21 AFP/Getty Images
 
 


South Africa's Andrew Hall is on strike against Brett Lee at the Wanderers stadium in Johannesburg. The ball is bowled and Hall tucks it into the leg side before setting off for a gentle single.

As he jogs to the other end he hears a belated cheer from the crowd. Confused, he looks around to see the big screen displaying an announcement. He has just faced the fastest ball ever to have been bowled at the Wanderers.

Still confused, Hall's eyes move from the screen to Lee and they trade a quizzical look: "There's no way that was that quick."

The next ball, Lee runs in and bowls a bouncer to Gary Kirsten that flies past his face. Lee and Hall catch each other's eye once more,

"That one was."

You see, the speed gun is the movie adaptation of your favourite book. Yes, it tells the story. But it doesn't tell the full one.

****

"A lot of what makes Test players special happens before the ball comes out of a bowler's hand."

Those are the words of England analyst Nathan Leamon, speaking on Jarrod Kimber's Red Inker podcast. As a starting point, it shines a light on one of the limitations of the speed gun. It only tells us how fast a ball is at the point of release and tells us nothing about what has happened before or what happens after.

And what happens before is crucial. It is very easy to think of facing fast bowling as primarily a reactive skill. In fact, read any article on quick bowling and it will invariably say you only have 0.4 seconds to react to a 90mph delivery.

But what does that mean? No one can compute information in 0.4 seconds. It's beyond our realm of thinking in the same way that looking out of an aeroplane window doesn't give you vertigo because you're simply too high up for your brain to process it.

However, the reason it's possible is because, whilst you may only have 0.4 seconds to react, you have a lot longer than that to plan. And the best in the world plan exceptionally well.

Hall describes a training method that South Africa would use in order to be able to associate a bowler's release point with length. After a ball was bowled, they'd walk down the wicket and place a cone or mark a spot with their bat where they believed the ball had landed. The coach would confirm it or correct what the player thought.

The idea is in essence basic trigonometry. Over time, you learn to associate that if a bowler releases the ball with his arm at 12 o'clock, the delivery would be full. If he releases the ball at 1 o'clock, it would be short. It's a process designed to consciously train the subconscious, and Jacques Kallis was the best at it.

"Whether he played and missed," Hall says, "or left it, or ducked out the way, he'd be able to come down the track and isolate a rough area of where that ball had landed. And the reason he was so good at it is he became really sharp at picking up length and he made some bowlers look slower because of that. Because as they let go of the ball, he knew within a couple of inches where it was going to land."


Jasprit Bumrah roars after having Joe Root caught in the slips AFP/Getty Images



There are a number of pre-delivery cues that Hall, as an international player, would be looking out for. Some were obvious tells, such as a bowler running in that bit harder before bowling a bouncer; others more subtle, like a bowler's head falling away in their action so they were able to push the ball into the batter and bowl an inswinger.

These cues weren't restricted to fast bowlers either. When talking about how to face Muthiah Muralidaran, Hall explains that one of the cues the South Africans would look out for was where his right elbow would be pointing as he entered his delivery stride. If it was pointing out at 90 degrees with his hand by his ear lobe, that was the sign that Muralitharan was going to bowl his off-spinner. If his elbow was pointing down towards the batter, it was probably a doosra coming up.

"You still wouldn't be able to play it half the time," Hall adds, "but you had an idea."

And some bowlers give you more of these cues than others, meaning a bowler at 87mph may feel quicker than one at 90mph if they give the batter fewer clues in their action.

Mark Ramprakash spoke of this when comparing his experience of facing Lee and Jason Gillespie in the 2001 Ashes. Lee was the faster bowler of the two, but his textbook action, with the ball always in sight, meant that Ramprakash felt he could consistently time his pre-delivery movement. But when he faced Gillespie, despite his being slower on the speed gun, it felt quicker. And this was because Gillespie would appear almost to release the ball before he'd really landed on the ground, throwing off Ramprakash's timings. When facing Lee, Ramprakash was planning. But when he was facing Gillespie, he was reacting.

In simple terms, there's a correlation between a bowler being "different" and the feeling that they are faster than they actually are. Batters are brought up on a diet of right-arm-over bowling that is released from nigh-on the same area, ball after ball after ball. Remove that familiarity, and the feeling of speed goes up.

In the Caribbean in 2019, TV showed Jasprit Bumrah's release point was half a metre closer to the batter than Kemar Roach's. This gave Bumrah the effect of bowling 3.7mph faster than the speed gun was showing

"Take Lasith Malinga," Hall says. "If you've not faced him before, you're literally going 'what am I supposed to watch?' But you soon get told, when he gets into his action, to watch the umpire's chest and neck. If you're watching his arm, you're struggling. And that's why in the beginning he'd clean people up and they'd say 'ah, he's quick'. He's not that quick. You just couldn't follow the ball."

****

Another quirk of how we consider pace is that by measuring the speed at which a ball is released, we're not actually measuring how long it takes to reach the batter. And there's a difference.

For instance, if you set up a bowling machine at 85mph and deliver three balls in a row, one of which is a full toss, the second a good length delivery and the third a bouncer, each of the three balls will reach the other end in a different amount of time because when the ball hits the pitch, it slows down. And the steeper that impact is, the more it will slow. So counterintuitively, the bouncer, cricket's scariest delivery, is actually the slowest of the three, whereas the full toss, cricket's worst delivery, is the fastest.

But what we don't know is how different bowlers compare to each other in terms of how much pace they lose off the wicket. The information is out there, but it's just not readily available. Angus Reid from VirtualEye - the company that provides ball-tracking data for Test matches in Australia - recalls how, during Naseem Shah's Test debut for Pakistan, they did a piece for broadcast comparing how he and Australia's Pat Cummins were releasing the ball at very similar speeds, but Shah was reaching the batter faster due to a combination of his height, ball trajectory and "skiddy" nature.


Steven Smith was pinned by a Jofra Archer bouncer at Lord's in 2019 Getty Images


And we know from player anecdotes that these things matter. Hall explains how bowlers will sometimes bowl their bouncer with a cross-seam in the hope that the ball lands on the lacquer and loses less pace when it pitches. It is the same notion that Joe Root expressed earlier this year when he said India's spinner Axar Patel was beating England for pace in the pink-ball Test at Ahmedabad, because the skid off the lacquer gave the feeling that the ball was "gathering pace" off the wicket.

Conversely, many bowlers are said to bowl a "heavy ball", whereby batters feel that the ball is "hitting the bat harder" than expected. One such bowler was New Zealand bowler Iain O'Brien, who believes this was a consequence of the ball kicking up off the pitch and striking the blade higher than anticipated, due to more backspin being imparted upon release. Such was the backspin that Andrew Flintoff imparted on the ball, in the lead up to the 2005 Ashes he was accused of chucking as his wrist would snap so dramatically at the point of delivery.

This is one of the difficulties of trying to express the feeling of speed to a wider audience. For the spectator, it's merely a number because we have no other frame of reference. But for the batter, it's an experience. A moment in time that is almost over before it's begun.

One former international cricketer laughed when asked whether he would check the speed gun after facing a delivery. "Why would I need the speed gun to tell me if a ball was fast? I was the one who just faced it."

****

The final piece of the puzzle concerns the ball's release point.

When India were touring the Caribbean in 2019, TV showed an overlay of Jasprit Bumrah's release point compared to Kemar Roach's, demonstrating that Bumrah was bowling the ball half a metre closer to the batter than Roach. Some quick maths showed that this gave Bumrah the effect of bowling 3.7mph faster than the speed gun was showing. Cricket has long been played on a pitch that is 22 yards. Bumrah plays on one that is 21.5.

Admittedly, this advantage was spotted because Bumrah is on the extreme, gazillion-jointed end of the scale, enabling him to bowl closer than anyone else in a way that other bowlers can't. But given we pay attention to how wide on the crease a bowler will bowl and also how high a bowler's release point is, surely we should know how close a bowler is bowling to the batter, given it is the single easiest way of apparently increasing pace.

This effect is measured in baseball. In fact, everything is. While cricket shrugs its shoulders and says "I guess we'll never know, folks" for a myriad of data-points, every intangible detail in baseball is known and measured.

How close a pitcher releases the ball to a batter is known as "Extension" and translates to what's known as "Perceived Velocity". Famed pitching coach Tom House believes that, if you can throw the ball one foot closer to the batter, then it equals an extra 3mph for the person at the other end. Tyler Glasnow and Luis Castillo are two pitchers who both throw their fast-ball at 97mph. Glasnow's extension is one of the best in the league and Castillo's is one of the worst. As a result, Glasnow feels like he is throwing at 99mph and Castillo feels like he is throwing at 95mph.Spin rates, which could resolve cricket's heavy-ball phenomenon, are a hugely important measurement in baseball - so much so that they can now be taken into consideration in the selection process.

Even the ultimate intangible, the impact an action has on a batter before the ball has been released, is beginning to be quantified by a biomechanics company known as ProPlayAI, who have started tracking what they call a "deception metric", which measures the amount of time a batter has to see the ball in a pitcher's hand before release.


Mitchell Johnson was ferociously quick during the 2013-14 Ashes Getty Images



The culmination of all these factors comes in the form of a pitcher named Yusemeiro Petit, described by baseball writer Ben Lindbergh as "the poster boy for the power of deception".

Petit's average fast-ball is 87mph. A whole 7mph slower than the rest of the league. He is 37 years old and over 500 games into his career. And he has made it this far, not by being a force of nature but by representing the mystery of it. He is one of those alien fishes at the bottom of the ocean that has lived forever and we don't know why.

In the 2005 edition of the Prospect Handbook, Baseball America, which is the sport's annual guide on the young players to look out for, Petit was described as leaving "batters and scouts scratching their heads ... Nothing about it [his fast-ball] appears to be exceptional - except how hitters never seem to get a good swing against it."

Fast forward to the present day and the reasons for Petit's success are beginning to be decoded. Simply put, Lindbergh describes him as a "hider and a strider". Throwing the ball far closer to home plate than would be expected and giving the batter little to no sight of the ball in the process. The result of which is a pitcher who is far quicker than the speed gun would lead you to believe.

****

All of this isn't to say that the speed gun is useless. It isn't. But it represents different things to different people. As a broadcasting tool, it's an excellent way of telling a story in a bite-size chunk. And for a bowler, it represents the result of their process. Get everything right and watch that number go up.

For batters, however, it represents part of the process that leads to their result. Yes, the speed of a ball upon release is important. But we know that there are other factors at play, because the players at the receiving end of it say so. And ultimately, who would you rather face? A bowler that a machine says is fast? Or one that a human says feels even faster?

Wednesday, 4 April 2018

Broadcaster Bias and Ball Tampering

Sidharth Monga in Cricinfo


There is a cricket match on. Not high-profile but still an international. Like all internationals, it is being televised. The broadcast director spots a player from Team A tampering with the ball. He shares the footage with the match referee, who brushes the matter under the carpet and hands out a slap on the wrist. The director has done his job; it is up to the match referee to determine the degree of offence.

It is not the end of the story, though. The manager of Team A, the away team in this case, confronts the channel. "You are only after our guys," he says. The footage is not aired on TV but a token punishment has been handed out. A commentator on the broadcast, a former player from Team B, the host team in this case, gets wind of it, and puts pressure on the broadcaster, through his board, for the footage to be aired, because the punishments handed out tend to be more severe when the evidence is made public, once the righteousness kicks in. The TV channel doesn't know what to do. It can't really afford to antagonise either board because it is in business with both. So to get the local board off his back, the director tells the home board that if he airs the footage he is being urged to, he will have to be equally vigilant with the home team and air any footage that the cameramen come up with. The threat works.

That, ladies and gentlemen, is a short story about ball-tampering, but it tells you more than any other yarn can.

On paper the umpires run the game, but they can only act if they have video evidence, because the ICC's code-of-conduct charges must be able to stick in a court of law. And remember what happened the last time an umpire acted without video evidence, at The Oval in 2006?

Which brings us to commentators. Many of them - not all - still consider themselves part of the teams they once represented. They fight their team's PR battles in the commentary box, and some often go beyond, in trying to make sure "their boys" are on the right side of calls of ball-tampering and player behaviour.

There are exceptions - like the one who asked the broadcast director in a match to keep an eye on the team that commentator once played for because he could sense something dodgy happening. It resulted in the discovery of a new tampering technique and a hefty fine. Needless to say, the "boys" don't like the commentator now, but they haven't yet got to the level of entitlement where it drives them enough to get him fired.

The way teams react makes it clear how commonplace tampering is. The manager of the guilty team says his side is being targeted; he knows other teams are guilty just as often. The other board has no reason to back off, other than, well, its team also does it. And whenever anything happens, the ICC, the commentators, the teams and their boards, all run to the broadcasters.

Since that Oval match, all the ball-tampering incidents that have officially been termed as such have relied on broadcasters. On all occasions, it is away players who have been caught tampering: Faf du Plessis in the UAE and in Australia, Vernon Philander in Sri Lanka, Shahid Afridi in Australia, and Dasun Shanaka in India. Aspersions were cast against Stuart Broad and James Anderson in South Africa, where too now the Cape Town three have been caught.

Neutral broadcasts - during ICC events - have not caught a single player tampering with the ball (though there was a match in the 2013 Champions Trophy where the umpires quietly changed the ball without imposing penalty runs, to avoid the morality furore that accompanies the laying of a ball-tampering charge, and also because the broadcast didn't have footage to back them).


"Would there have been footage against a home player? Would the broadcaster have even gone looking? More importantly, should cricket be comfortable with broadcasters wielding so much influence practically unwatched and unchecked?"



The Cape Town scandal is a perfect example of the role the broadcaster needs to play for a ball-tampering offence to not just come to light but for the charge to stick. Various broadcast directors have told ESPNcricinfo they don't usually follow the ball as closely as was done here. For example, in the normal course, they follow the ball into the keeper's gloves, through to slip, and then cut away to some other action. One of them says it is mostly so they can turn a blind eye to some of the tampering, without which, he believes reverse swing is not possible. He means that the use of lozenge-laden spit, and fake shining - when the thumb hidden between the ball and the thigh goes to work - is actually often overlooked. Call it the thieves' code but this much has been acceptable and well known.

Also, broadcasters don't usually want to play dirty and expose only the visiting side, given both teams might equally be doing things that are considered, among cricketers, as Derek Pringle once wrote, "little more than mischief". No director wants to live with that guilt until he is asked to look for something - in which case, the moral responsibility lies with someone else.

In Cape Town last month, though, the broadcasters were on Australia all along. David Warner's heavily taped hand came under the scanner first. Warner knew it too. When visuals first emerged, the tape on his hand was unmarked. The next day he had his wife's name written on it - a possible wink to the broadcasters that he knew what they were up to. Was the focus on Warner a possible reason for ball-handling duties being transferred to Cameron Bancroft?

The actual footage that led to the nabbing of Bancroft had a shot from the midwicket camera between overs. Not only is it rare for cameras to be following the ball between overs, but also for between-overs footage to be recorded on the EVS platform. EVS is a Belgian company that manufactures live outdoor broadcast digital production systems. For something to be replayed, the EVS system has to record it first. Between-overs footage from midwicket cameras is not often recorded. When Bancroft shoved the sandpaper into his pants, however, he was at short extra cover, which happened to be the perfect position for the Ultra Motion camera - usually placed at reverse slip - to catch him in the act. That said, once the broadcast wants to go after you, there is no fielding position that is safer than others.

Fanie de Villiers, the former South Africa cricketer, now a commentator, has since said to RSN Breakfast, a radio show, that they, the commentators, had asked the cameramen to look for tampering. The version coming from the Australian media is that the South Africa players had made a request through the commentators. Alvin Naicker, head of production at Supersport, was soon quoted by Supersport as saying they spotted something first and then went looking closely, not the other way around.

"If we go looking for it," says another director familiar with at least two ball-tampering incidents in the past, "over a three- or four-Test series, we can catch any team. Everybody does it. Every time there is some reverse, there is something behind it." Unless, of course, it is one of those replaced balls that begin to "go" immediately, like for Dale Steyn in Nagpur in 2010, or for Mitchell Starc in Durban in this series.

South Africa are no saints when it comes to ball-tampering, as their record will show, but they have never been caught at home. The last time they were caught, in Australia, they were incensed. Not because they didn't do it - it was on tape - but presumably because it was such a minor and acceptable act that they must have felt the thieves' code had been broken. Footage that was either not seen during the broadcast or was too insignificant to have been noticed, had conveniently made its way to - surprise, surprise - a news channel. The ICC's hands were now tied. It had to act. It did. Faf du Plessis and South Africa were furious.


There has been an unspoken rule among broadcast directors to not have cameras follow the ball when it is not in play, so a blind eye can be turned to "routine" tampering, without which reverse swing is not possible 

Naicker obviously rubbished any suggestions his channel might have acted on instructions or as a response to what happened in Australia. "We don't want it to seem like we are going after the Australian team," he was quoted as saying by Supersport's website. "If that was a South African, we would have broadcast the footage for sure. We have a responsibility to entertain, but just like journalists, we have a moral obligation to provide unbiased editorial."

The question, though, is: would there have been footage against a home player in the first place? Would they have even gone looking? More importantly, should cricket be comfortable with broadcasters wielding so much influence practically unwatched and unchecked?

As cricket continues to embrace technology, host broadcasters have assumed huge significance. ESPNcricinfo knows of a case where a broadcast didn't air footage of, or alert match officials to, a home player tampering with the ball; and it is a fact that they hardly ever go looking for tampering with home players. There have been various other instances where the umpires have seen something but can't find footage to back their claims.

The ICC has practically outsourced decision-making to the broadcasters, and it is not restricted to ball-tampering. ESPNcricinfo has learnt that on day four of the Bangalore Test between India and Australia last year, India's coaching staff asked a commentator to ask the broadcaster to keep an eye on Australia because they had suspected dressing-room assistance on DRS. It just so happened that that was the day Steve Smith was caughtsoliciting such assistance , but what resort do India have if they suspect something similar on an away tour? Malcolm Conn, a former cricket writer with News Corporation, and now Cricket Australia communications manager, might well have been referring to these cases when he pointed to the "hypocrisy of home advantage" in lashing out at yet another tweet by British media enjoying the Australians' suffering. Home advantage is not restricted to pitches and conditions anymore. If it wants to be, the broadcaster can well and truly be the 12th man for the home team, and the ICC can do nothing about it.

The ICC, in fact, trusts broadcasters more than it does its own umpires, who are not allowed to stand in matches in which their country is playing. The broadcaster, on the other hand pays for, controls, and mans the technology required for all the decision- making. Projected paths used for DRS lbw calls are off limits for any independent scrutiny because the technology is "proprietary". And yet, even if the broadcasters don't like it, they are forced to pay for Hawk-Eye because the ICC has made it mandatory for the DRS.

Broadcasters, like everyone else, are open to biases. Biases of nationality, biases of what is best for business (home teams losing or their players getting caught cheating certainly aren't). The biases weren't born with the DRS either. If you remember Jonty Rhodes' low catch to dismiss Sachin Tendulkar in the washed-out 1996-97 tri-series final in Durban, you will remember Rahul Dravid fell to a similar low catch but replays of that were not shown. When Kapil Dev mankaded Peter Kirsten, Kepler Wessels hit Kapil on the shin with his bat - visuals we have never seen. Google "Matthew Wade Virat Kohli sendoff", and you will find many videos of Wade arguing with Kohli for sneaking in a bye when Wade was hit by the ball - incidentally the very kind of moralising that resulted in such schadenfreude at Australia's recent fall - but you will not be able to find footage of the sendoff that Kohli gave later in the same match.

Yet it remains next to impossible for a broadcaster to cheat - be it "losing" a key visual, providing a wrong replay to determine a no-ball, or playing around with other evidence - because it is just impossible for something dodgy to have happened and for it to stay in the production control room. These things travel, unless the manipulation is systemic or institutionalised. There is no evidence of this having happened yet, but like with other conflicts of interest, it is the possibility of it that should make people uncomfortable.


"Broadcasters, it needs to be stressed, don't like to be in a position to influence results, no matter what they do to influence public opinion with their commentary and other output"


Broadcasters, it needs to be stressed, don't like to be in a position to influence results, no matter what they do to influence public opinion with their commentary and other output. What are they to say to the home captain if he wants extra scrutiny on the opposition? They are in the entertainment business, and they would rather they didn't have to carry the additional burden of decision-making in these contexts. In fact, they hate it when they are told to turn down the volume of the stump mics because the players are abusive. They don't pay astronomical sums to be told what they can or cannot show. They want the ICC to control the players instead of controlling the broadcast, which is enhanced by the observations and quips of a wicketkeeper such as MS Dhoni. They want the ICC to take control of decision-making technology so that they, the broadcasters, are not seen as all too powerful.

They are not happy that the third umpire doesn't sit with them and take charge of what he wants, but for that the ICC has a valid explanation. The third umpire sits alone because any conversation he has with others is liable to directly or indirectly influence his decision-making.

While the ICC has made strides towards training its third umpires in the use of technology, there remain inconsistencies. "One match referee tells me I must give the third umpire only what he asks for," a director says, "while another says I must give him everything that can help him arrive at the correct decision. As an organisation, ICC seems happy with not taking absolute control and the accountability that comes with it."

Recently in a PSL match, Karachi Kings' celebrations were halted when it was discovered the last ball of the match was a no-ball. No umpire had suspected one in this case but the broadcasters alerted them. This no-ball resulted in a Super Over, which Karachi lost. What are the odds of this happening to the home team in a bitterly fought contest between Australia and South Africa?

It is not that the ICC is not aware or not uncomfortable. It has been discussed in the ICC that only away players get caught tampering with the ball. Like with most things ICC, the governing body can't do much more. It cannot take any action without video evidence, nor can it look away when a broadcaster puts evidence out there. When umpires come back to the ICC with suspicions of ball-tampering, they review the available footage and find nothing. Even at The Oval in 2006, Pakistan accepted the decision at first, and hit back at the umpires when they were sure there was no footage to implicate them, an ICC source has revealed. It is not practical for the ICC to ask the broadcaster for additional footage that might help implicate a home player, because of the blowback that will immediately ensue. And yet when footage appears of du Plessis going to his lozenge to shine the ball, the ICC has to act, even though a blind eye is turned to this kind of thing most times.

The ICC is also aware its trust in broadcasters for the DRS and third umpires is blind. The only direct solution is to pay for all the technology and also have a few cameras at every international match to monitor ball-tampering. This is not cost-effective, and it has not gone beyond ICC board meetings. Ultimately if the ICC does pay for all the technology, the money has to come from the member boards - and, like in the matter of the Associates, we all know what the decision has been there, and is likely to be in future. The other solution to this was to accept ball-tampering as an offence of the nature of over-appealing or showing dissent, but that ship sailed long ago, as was obvious in this most recent episode from the sadistic sanctimony of various former captains.

So as usual, the ICC is likely to look only for indirect solutions when it undertakes a review of its code of conduct, and ball-tampering in particular. If the indications are anything to go by, ball-tampering will become a more grave, more clearly defined offence. The "spirit of cricket" will be defined more clearly. It will be made clearer that the onus is on captains, and possibly boards, to play in the spirit. This is going to increase the pressure on visiting captains even more. This review will be considered successful only if the
 ICC can somehow find a way to break the home advantage that comes with broadcasters.

Wednesday, 7 March 2018

On Batting: What does a batsman see?

S B Tang in Cricinfo


It is late December 1971. A tall, 23-year-old South Australian by the name of Greg Chappell walks down the ornate wood-and-iron staircase of Hadley's Orient Hotel in Hobart. He is meeting his older brother Ian for dinner. The two have been parachuted in to bolster a Tasmania Combined XI for their first-class match against a star-studded World XI featuring Sunil Gavaskar, Garry Sobers, Bishan Bedi and Zaheer Abbas at the Tasmania Cricket Association Ground.

The younger of the two Chappells follows the staircase as it takes a 90-degree left turn, walks past the large portrait of a young Queen Victoria and emerges into the beautiful red-and-gold carpeted lobby of the hotel built by convicts more than a century ago. Ian is running late, as usual. Greg, on time as usual, waits patiently. The concierge approaches him. "Mr Chappell," he says, "there's a letter for you." Greg immediately recognises the handwriting on the envelope - it belongs to his father.

He doesn't know it, but the contents of this envelope will change his life. There's no letter inside, just a newspaper clipping - an opinion article by the Adelaide Advertiser's chief cricket writer, Keith Butler. It says that Chappell is wasting his enormous talent and the way he's batting he won't make the forthcoming Ashes tour. At the end of the article he sees the one-line message his father has written: "I don't believe everything that Keith says, but it might be worth thinking about."

Suddenly, Greg doesn't feel hungry at all. "Mate," he tells Ian when he arrives in the lobby, "I'm just going to stay in." He walks back upstairs. He doesn't turn on the lights. In a corner of his single room, there is an upholstered chair. He sits down on it in the dark, alone, and thinks. He thinks about every single game of cricket that he has ever played, from his very first in the backyard with his brother Ian, to park and beach cricket with his mates, to schoolboys' cricket for Prince Alfred College, to grade cricket for Glenelg District Cricket Club, to Sheffield Shield cricket for South Australia, to county cricket for Somerset, to Test cricket for Australia.

What he seeks is nothing less than the answer to the question that has plagued every batsman since the dawn of time: what is the cause of the massive performance differential between my good days and my bad days? What exactly is it that I'm doing better on my good days than on my bad days? 


As he searches his mind for the answer, he enters a deep meditative state. Time passes quickly. Hours later - it is difficult for him to tell how many - he emerges with a stunning realisation: by playing cricket since the age of four, he had, without realising it, developed a systemic process of concentration and a precise method of watching the ball; but he had only been using them consistently on his good days.

There lay the answer to his question: all he had to do was use his own systemic process of concentration and precise method of watching the ball every single time he walked out to bat.

From that day forth, he stops mindlessly hitting balls in training. Instead, he focuses on his process of concentration and method of watching the ball. The aim is to be able to use that mental routine against every single ball that he faces in a match. Five days after his epiphany in Hobart, he gets the opportunity to apply his newfound theory in a match. He is called up to play for Australia - captained by Ian - in their third unofficial Test against the Sobers-captained World XI at the MCG, starting on New Year's Day 1972.

In Australia's first innings, he scores an unbeaten 115. Eight days later, he scores an unbeaten 197 at the SCG in the fourth unofficial Test. As he walks off to the applause of the 19,125-strong crowd, he knows deep down that his batting has gone to an entirely different level. At the tender age of 23, he has discovered what most batsmen spend their entire careers searching fruitlessly for: the secret - for him, anyway - to scoring runs at Test level.

Before his epiphany in Hobart, Chappell scored 243 runs in five Tests at an average of 34.71. After his epiphany, he scored 6867 runs - including 23 hundreds - in 82 Tests at an average of 54.93.

The mental routine that enabled Chappell, in an era when Test bowling was arguably the strongest that it has ever been, to maintain a Test average in excess of 50 for nearly a decade is not particularly complicated.

It starts with the logical principle that mental energy is a finite resource that a batsman must conserve if he is to achieve his ultimate objective of scoring as many runs as possible, which will require him to spend hours, if not days, out in the middle.
Bradman had less than 20/20 eyesight. Barry Richards made the same discovery. He tried corrective lenses, but the 20/20 vision freaked him out - he saw too much

Chappell realised that he had three ascending levels of mental concentration: awareness, fine focus and fierce focus. In order to conserve his finite quantum of mental energy, he would have to use fierce focus as little as possible, so that it was always available when he really needed it. When he walked out to bat, his concentration would be set at its lowest, power-saving level: awareness. He would mark his guard and look around the field, methodically counting all ten fielders until his gaze reached the face of the bowler standing at the top of his mark.

At that point, he would increase his level of concentration to fine focus. As the bowler ran in, he would gently and rhythmically tap his bat on the ground, keeping his central vision on the bowler's face and his peripheral vision on the bowler's body. He believed that a bowler's facial expression and the bodily movements in his run-up and load-up offered the batsman valuable predictive clues as to what ball would be bowled. He would not look at the ball in the bowler's hand as he ran in.

As the bowler jumped into his delivery stride, he would switch up his concentration to its maximum level - fierce focus - and shift his central vision the short distance from the bowler's face to the window just above and next to his head from where he would release the ball. Once the ball appeared in that window, Chappell would watch the ball itself for the first time. He could see everything. He could see the seam of the ball and the shiny and rough side of the ball, even when he was facing a genuine fast bowler. Against spinners, he could see the ball spinning in the air as it travelled towards him. In the unlikely event that he failed to pick what delivery it was out of the hand, he could simply pick it in the air.

"There weren't too many balls that I faced that I was unsure about," Chappell tells the Cricket Monthly matter-of-factly. Because he was able to so quickly decipher where a ball was going to be, he was able to confidently move into position early to, if at all possible, play an attacking, run-scoring shot. Like all of Australia's great Test batsmen, Chappell believes that a batsman should always have the positive mindset of looking to score runs. The greatest threat to that mindset is, and has always been, the thought that lurks omnipresently in the back of every batsman's mind, simply because he is a human being: the fear of getting out. By giving the mind something to do at each and every stage of an innings, a well-defined mental routine such as Chappell's helps quash that fear.

As soon as he finished playing a delivery - whether he had driven it for four, left it, or played and missed it - Chappell cycled his concentration back down to its minimum level of awareness. He understood the importance of keeping his focus on the present. That meant that he had to completely let go of the last ball, even if it had missed his off stump by a millimetre. So he gave his mind something relaxing to do while it was powered down in awareness mode - he looked into the crowd and, whenever he was playing at home, he delighted in finding family and friends and seeing what they were up to. When they met up for dinner in the evenings, his friends were flabbergasted that he was able to recite their movements for the entire day.



After his revelation in Hobart, Greg Chappell made more than 6500 runs at 54.93 © Getty Images

"I have no doubt," Chappell says, "that what allowed me to achieve what I achieved was the fact that I was lucky enough to have learned early in my career that it was about… my mind, not my body. And my subconscious mind was a better cricketer than I could ever be, so what I had to do was get the conscious mind out of the way… give it a job to do - watch his face, watch the [window of release] - and allow my subconscious mind to react to what came."

He saw that the mistake that most batsmen make, especially when they are striving to fulfil their lifelong dream of playing Test cricket for their country, is that they try too hard. They stop trusting the natural instincts that have got them that far and start worrying about getting out, or fretting about the correctness or otherwise of their technique.

At club level, the mistake of trying too hard manifests itself in an even more fundamental error - watching the ball too hard. Former Australia batsman Greg Blewett vividly recalls playing against some grade batsmen who never took their eyes off the ball while they were on strike. They would "watch the ball go from the keeper's hands to first slip, from first slip to point, point to cover, cover to mid-off [and mid-off to the bowler's hands]". Then they would keep watching the ball in the bowler's hands from the top of his run-up to the point of release.

According to Chappell's theory, that method of narrowly watching the ball creates at least four substantive problems.

Firstly, the batsman burns through his finite quantum of mental energy at a rapid rate.

Secondly, watching the ball in the bowler's hand as he is running in has the potential to destabilise a batsman's eyes. "Some bowlers run in and their arms are going everywhere," explains Blewett, a follower of Chappell's theory in the back end of his playing career and now an advocate of it as the head coach of South Australia Under-19s and an assistant coach of South Australia and Adelaide Strikers. "It'd be really hard to focus on that ball [because] your eyes would be darting all over the place."

Thirdly, if the batsman watches the ball in the bowler's hand as he's running in then once the bowler jumps into his delivery stride, he will have to quickly shift his central vision from the ball in the bowler's hand next to his thigh up to the area above his head from which he will release the ball. That is a long distance to have to rapidly shift one's central vision, certainly much longer than the short distance - from the bowler's face to the window of release - that adherents to Chappell's theory have to shift their central vision. "It's ad hoc," says Chappell. He "could get there 75% of the time, but 25% of the time might struggle to get there at the right time, whereas… he could get [from the bowler's face to the window of release] nearly 100% of the time."

Greg Blewett firmly believes that the subject of watching the ball and how to best watch it is "one of the most important things there is" for batsmen

Fourthly, if the batsman focuses his gaze solely and exclusively on the ball in the bowler's hand as he is running in, then he undermines his peripheral vision of the bowler's face and body, thereby robbing himself of the visual clues that may help him predict what ball the bowler is going to bowl.

Thus, "watch the ball", that generic bit of advice that every cricketer has heard at some point in their life, could, says Chappell, "be the wrong instruction" - if it is unaccompanied by any explanation or discussion as to how to watch the ball.

Indeed, one could argue that the batting maxim reportedly promulgated by the current Australian head coach Darren Lehmann - "watch the ball, c**t" - is problematic for more reasons than one. It could easily be misinterpreted to mean "watch the ball really hard", which would lead batsmen to watch the ball in an overly narrow fashion.

When Chappell first became aware of his method of watching the ball some 46 years ago, the technology did not exist to scientifically test and evaluate it. That technology - in the form of glasses that allow scientists to record and see where a batsman is looking - now exists, and in the past seven years two strands of research have emerged to support Chappell's method.

The first strand consists of two empirical studies. The first of those studies, conducted by sports scientists David Mann, Wayne Spratford and Bruce Abernethy in 2012, tested the batting performance of two Australian Test batsmen - each of whom had played more than 70 Tests and averaged in excess of 45 - and two Australian grade batsmen. This was done with the players wearing Mobile Eye eye-tracking glasses. The second study, conducted by sports scientists Abernethy, Mann and Vishnu Sarpeshkar in 2017, tested the batting performance of 43 batsmen while they wore the same glasses - 13 elite adults who had represented their state or country at senior level (including four members of the Australian squad), ten elite juniors who had represented their state or country at U-19 or U-17 level (including four members of the Australian U-19 squad), ten adult club batsmen (with an average age of 31.7) and ten young club batsmen (with an average age of 21).

A key finding from these two empirical studies is that the elite batsmen - that is, the two Australian Test batsmen from the 2012 study and the 13 elite adults and ten elite juniors from the 2017 study - were distinguished from club batsmen by their superior ability to predictively saccade their vision: that is, they could accurately jump their vision ahead of the ball's live flight path to where the ball is going to be.

When they were facing anything shorter than a full delivery, the elite batsmen were generally able to accurately saccade their vision twice - once to the point of bounce, and once following the point of bounce to the point of bat-ball impact.



Watching the ball actually involves a certain amount of prediction about where the ball is going to be once released © Getty Images

They were also able to maintain their gaze at the point of bat-ball contact when hitting the ball. Hence, elite batsmen are more likely than club batsmen to be able to see their bat hitting the ball. Justin Langer, for example, told Mann, "I know that I watch the ball at the moment I hit it," and could clearly describe seeing markings on the ball as it made contact with his bat during his playing days. Don Bradman believed that this is possible too, instructing batsmen in his classic coaching book, The Art of Cricket: "Try to glue the eyes on the ball until the very moment it hits the bat. This cannot always be achieved in practice but try."

The superior ability to accurately perform the two saccades against balls of all lengths, Mann tells the Cricket Monthly, "seems to be non-negotiable" for elite batsmen. As a scientist, he is quick to acknowledge that "it's always hard to tease apart what makes [a batsman] great, or what's an effect of him being great", but underlines that "all the elite guys that we've tested" do the two saccades.

As a matter of logic, in order for the elite batsmen's saccadic eye movements to work successfully, they have to be able to accurately predict where the ball is going to be (so that they can saccade their vision to that spot before the ball gets there).

Think about that for a moment. Such an ability more closely resembles the powers of a (fictional) Jedi Knight than those we typically associate with real-world flesh-and-blood athletes. "He can see things before they happen," said the Jedi Master Qui-Gon Jinn of a nine-year-old boy named Anakin Skywalker. "That's why he appears to have such quick reflexes. It's a Jedi trait." Well, science now tells us that elite batsmen aren't much different: they know where the ball is going to be before it gets there and saccade their vision to that point. That's how they appear to have such quick reflexes.

That predictive ability is - as Chappell theorised 46 years ago in a Hobart hotel room - partially derived from the visual information batsmen obtain from a bowler's run-up and load-up. That information, explains Mann, is one of "three key sources of predictive information" for a batsman. The other two are the "online" information that a batsman can obtain from the live ball flight and the "contextual information" that a batsman can obtain about a bowler from having faced him before in a match, watching TV footage of him, or studying statistics about his prior behaviour.

The second strand of research lending support to Chappell's theory is a study conducted at the Australian Institute of Sport in 2010 by Mann, Abernethy and Damian Farrow. The scientists gave ten Australian grade batsmen with natural 20/20 vision contact lenses blurring their vision at three increasing levels: +1.00, +2.00 and +3.00. The batsmen - some of whom had represented their state or territory at senior or junior level - wore liquid crystal occlusion goggles that on random deliveries occluded (that is, completely blocked) their vision at the approximate moment when the bowler released the ball.

What Chappell seeks is nothing less than the answer to the question that has plagued every batsman: what is the cause of the massive differential between my good days and bad?


The scientists then tested the batsmen's performance against three bowlers - two medium-pacers who were opening the bowling in second grade in Canberra and a quick who had played in the Big Bash League as an opening bowler. The batsmen were asked to perform one of two tasks: try to strike the ball with their bat, or merely call out whether the ball was an off-side or leg-side delivery. The scientists then recorded whether the batsmen swung their bat on the correct side of the wicket, and whether they correctly called out off side or leg side.

The results they obtained were interesting. With their vision occluded when the bowler released the ball, the batsmen were able to swing their bat on the correct side of the wicket nearly 80% of the time when they were wearing +1.00 blurring lenses. This suggests that a batsman's ability to access the predictive clues in the bowler's run-up and load-up is arguably as, or even more, important to his ball-striking performance as his ability to actually see the ball at the moment it leaves the bowler's hand. (In case you were wondering, the +2.00 and +3.00 blurring lenses clearly reduced the batsmen's anticipatory performance.)

The batsmen's accuracy in calling out whether the ball was an off-side or leg-side delivery when they had 20/20 vision was terrible - barely above 50%. Their verbal calling performance clearly improved when they wore the +1.00 blurring lenses. This suggests that the batsmen's usage of the visual clues in the bowler's run-up and load-up is subconscious. "So when they were in the situation where they had to consciously think about [whether the ball would be a leg-side or off-side delivery] and… call out [which it would be], the +1.00 somehow made them better," says Mann. "It seems as though taking away that very clear, conscious information [that they get with 20/20 vision] may give them access to the [subconscious] information that they're more likely to rely on in a coupled scenario [that is, when they're asked to try hit the ball with their bat]."

Now, a sceptic might ask, scientific research in a laboratory is all well and good, but how does Chappell's theory fare today in the real world of first-class and Test cricket?

The Cricket Monthly spoke to six active professional Australian batsmen - all of whom have played Shield cricket and three of whom have played Test cricket - and one retired Australian Test batsman. Six of the seven batsmen - 27-year-old Chris Lynn, 35-year-old Ed Cowan, 24-year-old Kurtis Patterson, 20-year-old Will Pucovski, 46-year-old Greg Blewett, and 28-year-old Joe Burns - said that they naturally and independently developed a method for watching the ball that is either identical or very similar to Chappell's. The only one who didn't - 43-year-old Brad Hodge - had specific medical and environmental reasons for his divergence, as we will see.


Research suggests that even when their vision is obscured, batsmen can often correctly guess on which side the ball is going to land, based on clues they pick up from the bowler's run-up © Getty Images

Lynn, Cowan, Patterson, Pucovski and Blewett's methods are identical to Chappell's in that they do not watch the ball in the bowler's hand as he runs in to bowl and only start watching it when it appears in the window above and next to the bowler's head from where it will be released. Burns differs slightly in that he tries to visually "lock in" on the seam of the ball in the bowler's hand as soon as it comes up over the bowling shoulder just prior to release. Thus, he starts watching the ball a fraction earlier than the others and the window he looks at is larger than that used by the others, extending from the bowler's bowling shoulder all the way up to the estimated point of release.

This slight difference may stem from the fact that, unlike Lynn, Cowan, Patterson, Pucovski and Blewett, none of whom can recall ever using a method for watching the ball different from that which they use now, Burns clearly recalls using an entirely different method when he was a kid.

"I used to really focus on [the ball] in the bowler's hand [as he ran in]", says Burns, who has scored three Test hundreds in 13 Tests. One evening, when he was about 16, Burns felt "really rushed and hurried up by the ball" as he was batting under lights on a synthetic pitch while training at Northern Suburbs District Cricket Club in Brisbane's Shaw Park. The bowlers were getting faster, both in terms of ball- and arm speed, as he advanced through the ranks, and he realised there and then that watching the ball in the bowler's hand from the top of his mark just wasn't working. His reasoning was similar to that reached by Chappell and Blewett years earlier: his eyes were getting destabilised by the movement in the bowlers' hands as they ran in; he had insufficient time to react well to the ball being bowled; and there was a real risk that he could lose track of the ball, especially if the bowler had a whippy, slingy or heavily side-on action.

Thus, that evening in Shaw Park, Burns "naturally" switched to his present method. Like Chappell, Burns looks at the bowler - not the ball - as he runs in, keeping his eyes "relaxed", but whereas Chappell looked specifically at the bowler's face as he ran in, Burns looks at the bowler generally.

Blewett's point of focus is similar, although not identical to Burns'. He looks generally at the bowler's whole body as he's running in before focusing more on his top half as he gets closer to the crease. Lynn - an active coach who works with club mates and youngsters - and Patterson are identical to Chappell: they look at the bowler's face as he's running in. Cowan and Pucovski, a 20-year-old Victorian who has just scored his maiden first-class century in his second Shield game, do not consciously watch anything specific at all as the bowler's running in - Cowan refers to this almost meditative state of mind as "completely egoless and emotionless… indifference"; Pucovski calls it "trying to keep as clear a mind as possible" - but readily acknowledge that their subconscious is able to easily identify and process the visual predictive clues in the bowler's run-up and load-up.

Cowan does not consciously watch anything specific as the bowler is running in - he refers to this almost meditative state of mind as "completely egoless and emotionless… indifference"


"So much is picked up in those cues," observes Cowan, "and you can't underestimate" them, which is why, if he hasn't faced a bowler before, he will go watch them bowl from behind as they are warming up out in the middle and mentally "practise batting against them". That information is then safely stored in his mind, ready for his subconscious to access as the bowler runs in to bowl to him in the match. If a bowler runs in faster or grimaces, then that is picked up automatically by his subconscious mind without his conscious mind even realising it.

Similarly, despite not consciously watching anything specific at all as the bowler is running in, Pucovski has no trouble seeing predictive clues in the bowler's run-up and load-up, such as fast bowlers who "drag their front shoulder off" when they're about to bowl a bouncer, and bowlers who "open up their action quite a bit more" for their inswinger or are "more side-on" for their outswinger.

Even someone like Burns, who at a conscious level watches the bowler generally, says: "I don't think I consciously notice [those visual clues]. It's not like a bowler runs in and I think, 'Yeah, he's bowling an inswinger' or 'He's bowling an outswinger' or 'He's bowling a bumper'. But there are times where… it almost feels like instinct that you know where a ball is going to be. I think that's just from the cues that you pick up subconsciously from all the information that the bowler's giving you as he runs in." Lynn even looks at "where [the bowler's] eyes are looking" as he's running in.

The importance of conserving scarce mental energy was another of Chappell's principles that met with universal approval from the seven batsmen interviewed. Each had his own mechanism for completely switching off between balls and overs. Lynn relaxes his mind by standing still in his crease and having a look around the field, picking up any available cues from the fielders - especially the captain - and the bowler. Between overs, unless the match situation - for example, a pitch that's playing up or a run chase - requires it, Lynn generally doesn't think or talk about cricket at all. "Especially if I'm batting with someone like [Brendon] McCullum," says Lynn, "we just talk about whatever." He admits, with a good-natured laugh, that sometimes he and his batting partner will look into the crowd to "try and find" some attractive members of the other sex.

To switch off, Burns strolls down the pitch, does some gardening, chats to his partner then walks back to his crease. "If I stand stationary at the crease," he explains, "I start to have different thoughts in my mind, which just taxes energy from what I'm trying to do. So I try and keep myself active and not be still for too long."

A similar method is employed by Patterson, a tall, lean New South Welshman who, with 2250 first-class runs at 45.91 over the last two years, is knocking on the door to Test selection. "I just walk away to square leg and think about whatever it is that I want to think about and don't fight it," he explains. "I think it's important, particularly in longer-form cricket… to let your mind go [between balls]."


The colour-blind Brad Hodge preferred to watch the ball from the bowler's hand so he could focus on the seam © Getty Images

Blewett was the most flexible in terms of his mental relaxation routine between balls, being happy to choose one or more from a full menu of options: a chat with his partner, gardening, a walk out to square leg, a look into the crowd (to see family and friends) or the TV and radio commentary boxes (to see who was commentating). The one constant element in his routine was the final stage: he took his right-handed batting stance by putting his right foot down before his left foot.

Hodge ends his between-balls relaxation routine the exact same way. "I would never go in left foot first." But before stepping into his stance, Hodge employs a bucolic relaxation tactic that none of the other interviewed batsmen use: he walks away from the crease, puts his head down and looks at the grass for around 20 seconds, "because grass is a calming colour".

Most batsmen interviewed found the notion of watching the ball in the bowler's hand from the top of his mark - which, anecdotally, is how a significant proportion of club batsmen interpret the cliché "watch the ball" - to be utterly alien. Cowan, who played his 13th summer as a Shield cricketer and only today announced his retirement from first-class cricket, has "never heard of anyone" doing it at first-class level.

But there exists at least one who did (and still does in the BBL): Brad Hodge, who looks for the ball in the bowler's hand as he is walking back to his mark (to try to identify the shiny and rough sides), and when the bowler reaches the top of his mark, visually locates the seam of the ball in the hand, which, from that point on, becomes the object of the focus of his central vision.

Hodge is quick to point out that there are two peculiar reasons why he developed this method. Firstly, he's colour-blind. It's easier for him to pick up the ball if he focuses on the seam, which is clearly a different colour from the rest of the ball.

Hodge can't remember how he watched the ball when he was a kid, but he knows when he became conscious of the importance of watching the seam. It was the summer of 1993-94. He had just broken into Victoria's Shield team as an 18-year-old. One day early that summer, for the first - and, as it later turned out, only - time in his life, Hodge heard a fellow batsman speak about how to watch the ball. "Don't just watch the ball," said Dean Jones, "watch the seam of the ball." Those words commanded respect - Jones was not only Victoria's captain and best batsman, a veteran of 52 Tests and 150 ODIs with an average above 45 in both formats, but Hodge's childhood hero and mentor in the Victorian team.

The second reason why Hodge developed his method for watching the ball is peculiar not just to him but to all Victorian Shield batsmen: their home ground, the MCG, has a dry, abrasive pitch that is conducive to reverse swing. That reasoning is consistent with that of Blewett, Burns and Patterson, all of whom said that reverse swing constitutes an exception to their general rule of not watching the ball in the bowler's hand as he is running in. However, Blewett and Patterson add, this exception is rarely used nowadays because, as Patterson says, "most bowlers… like to cover the ball" as they are running in.

"I know when I'm in form and whacking the ball, I'm watching the ball literally hit the base of the bat" CHRIS LYNN


Hodge is in step with the other batsmen interviewed in that although his central vision is focused on the seam as the bowler is running in, he is "definitely" still able to pick up predictive clues in the bowler's run-up and load-up with his peripheral vision. Moreover, he observes that when he's in good form, his focus is "more broad", meaning that he's "not [consciously] looking for the seam" of the ball at all, "because, for some reason, his computer [that is, mind] will just do that naturally."

Lynn describes the state of being in good form in very similar terms: the ball "looks like it's coming down [in] slow motion and … it's like [your mind is] in auto-pilot. I've had games where I think 'F***, what happened there?' And you've done well and you can't really remember it because it's just on auto-pilot and it just does it itself basically."

All seven batsmen interviewed can see the seam of the ball and the shiny and rough sides as it travels towards them. Blewett, who batted in the top three for the bulk of his first-class and Test career, vividly recalls seeing "the gold writing" on the sides of new balls as they travelled towards him. When a spinner is bowling, all seven batsmen can see the ball spinning in the air as it travels towards them. Cowan points out that being able to see "how many revolutions" the ball has as it travels towards him is necessary for him to survive as a first-class batsman, because many spinners - for example, Fawad Ahmed - bowl with a scrambled seam, making it futile to watch the seam of the ball once they release it.

Even when the seam isn't scrambled, modern spinners bowl balls that are so well disguised that they can only be reliably picked by watching the rotations of the ball in the air. Fingerspinners, for example: Rangana Herath, R Ashwin and Steve O'Keefe, bowl a skidding straight ball that, for all intents and purposes, looks like their stock ball - identical seam position, almost identical bowling action - but is bowled with underspin rather than the overspin and/or sidespin that characterises their stock ball. Cowan picks that delivery - which, in Australia, is generally referred to as a "square ball" - by watching the ball spin backwards in the air as it travels towards him.

Bradman was unequivocal on this point. "A batsman," he wrote, "should be able to see the ball turning in the air as it comes down the pitch towards him when the bowler is a slow spinner. This is necessary against a class googly bowler like Arthur Mailey. Even if he disguises his googly you still have the added insurance of watching the spin of the ball to make sure which way it will turn on pitching."

This quality of vision is clearly the norm for batsmen at first-class and Test level, so much so that Blewett is genuinely taken aback when this writer - a bog-standard club cricketer - informs him that he has never been able to see the ball spinning in the air as it travels towards him. "That surprises me," he says in a politely bewildered tone, "because I just think that everyone's eyes are pretty similar and that you'd just be able to see that."

Most of the seven batsmen interviewed said that they could - in line with the scientific research conducted by Mann, Spratford, Abernethy and Sarpeshkar - recall seeing their bat hit the ball. "I know when I'm in form and whacking the ball, I'm watching the ball literally hit the base of the bat," says Lynn. The only two who could not recall seeing their bat hitting the ball were Blewett and Pucovski, but they could recall seeing it till late in its trajectory - roughly a metre before contact.



What does watching the ball mean exactly? It is a question most batsmen grapple with their entire careers © Getty Images

If a batsman has a well-honed method for watching the ball efficiently - like all Test and first-class batsmen do - then a substantial body of anecdotal evidence indicates that he will be able to see the ball well enough to smash it even if he doesn't have 20/20 eyesight. Bradman had less than 20/20 eyesight. Neil Harvey discovered early in his Test career that he was short-sighted and chose to keep playing without corrective lenses. Barry Richards made the same discovery much later in his career. He tried corrective lenses, but the 20/20 vision freaked him out - he saw too much. So he kept batting (successfully) without them.

More recently, Cowan only discovered that he was minus 1.50 short-sighted in his third year of university, when he sat at the back of some lecture theatres and struggled to see the whiteboard. He had been crowned the player of the national U-17s carnival, represented Australia in the U-19 World Cup, scored Sydney first-grade hundreds and broken into the NSW Shield squad while (unwittingly) being short-sighted enough to not be allowed to legally drive without corrective lenses. Even looking back on it now with 20/20 eyesight courtesy of laser surgery, Cowan says that he had no issues playing pace when he was short-sighted. The only thing that troubled him was playing spin, because he "couldn't really see the ball spin" in the air as it travelled towards him. "The joy of playing in Australia," he says with a chuckle, is that he just "assumed it wasn't going to turn".

Test and first-class batsmen naturally (and subconsciously) develop their methods of watching the ball efficiently by playing cricket against real bowlers from a young age. Interestingly, it appears that becoming aware of what exactly one's method is can dramatically improve a batsman's performance by allowing him to use that method more consistently. Chappell's epiphany in Hobart at the age of 23 is the most obvious example, but there are others.

In late March 2000, after playing 46 Tests over the preceding five years, 28-year-old Blewett was axed from the Australian Test team to make way for Matthew Hayden. Blewett went back to playing Shield cricket. Later that year, as he was batting in the nets at Adelaide Oval, South Australia's then coach, Greg Chappell, asked him, "Are you watching the ball closely?"

"Yeah, of course I am," replied Blewett.

"No, no," said Chappell, "are you really watching the ball out of the bowler's hand?"

Blewett went away and thought about it. For the first time in his life he became fully conscious of the fact that he had a precise method of watching the ball, just like Chappell had nearly three decades earlier. From that point on, Blewett stopped thinking about all the little technical things that he, like so many out-of-form batsmen, had been constantly tinkering with and said to himself: right, just watch the ball closely out of the window of release. "That," he recalls, "took out all my other thoughts and all I was doing was just watching the ball and reacting to the ball. Everything then just happened naturally for me, which was brilliant."

Armed with that self-awareness, Blewett embarked on the most productive period of his career, scoring 3055 first-class runs and ten hundreds, at an average of 57.64 over the next three Australian summers.

Elite batsmen know where the ball is going to be before it gets there and saccade their vision to that point. That's how they appear to have such quick reflexes

Perhaps surprisingly, it appears that the subject of how to watch the ball is not something that is generally spoken about in Australian dressing rooms. Six of the seven 21st-century Australian batsmen interviewed could not recall the subject being a topic of discussion in the dressing rooms that they have been a part of. In his 24 years (and counting) as a professional cricketer, Hodge says that the subject of watching the ball and how to best watch the ball has "never come up in [conversation with] any cricketer that I know, apart from Deano".

According to Mann, the science tells us that explicitly telling a player (in any ball-hitting sport) to perform the two saccades doesn't work, which is why sports scientists instead design exercises to naturally encourage players to perform those saccades. For example, Mann explains that they asked tennis players "to call out which half of the racquet the ball hit when they hit it" and found that "that was quite successful in improving hitting performance".

However, at present, the science doesn't tell us whether one ought to have explicit conversations with batsmen about how to best watch the ball. "It's a big question about whether we should talk about it," says Mann. "It's something that's so implicit, is it something that we want to raise conscious awareness of with batters?"

None of the seven batsmen interviewed objected to the notion of starting conversations with batsmen about how to best watch the ball, provided that batsmen aren't being compelled to adopt a particular method. "You've got to be a little bit careful about it," acknowledges Blewett. "It depends on who you're coaching and what time of the season it is and all that sort of stuff." That said, he firmly believes that the subject of watching the ball and howto best watch it is "one of the most important things there is" for batsmen and, as a coach, he starts conversations with them about it all the time, typically by saying something along the lines of, "Right, c'mon, let's make sure you're watching the ball closely."

"The best form of coaching," observes Patterson, "would be to just have a conversation… [that] gets someone to think about it themselves."

Bradman would approve. The greatest batsman of them all wrote that "the two most important pieces of advice" that he gave young batsmen were '(a) concentrate and (b) watch the ball.'"

How to do those two things is a question that every batsman must answer for himself.

Wednesday, 26 October 2016

How do batsmen cope with the intensity of their lonely skill?

Digging the pitch, repetitive body movements, talking to themselves, superstitious behaviour, visualisation - different ways that batsmen deal with the pressure of their profession


Michael Bond in Cricinfo


All sportspeople like to imagine that their discipline is the most mentally challenging, that winning or losing comes from within. But batsmen have a stronger claim than most. What other sport demands such intense concentration, affords participants so little control over their situation and penalises mistakes so cruelly and with such dramatic ritual?

Batting is a game of life and death like no other. Success - a century, a match-saving last stand - can live with you forever. But getting out feels like the end of everything: you are dismissed not just from the field of play, but from your own dreams of hopefulness and redemption.


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THE MASKS WE WEAR

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Dismissed batsmen are like mourners at their own funerals. The dressing room falls silent as they return, "in respect for the dead", as Mike Brearley puts it in The Art of Captaincy (1985).

"There aren't many situations in sport where you have this challenge of one tiny mistake and that's it, finished, the rest of the day you're watching from the sidelines," says sports psychologist Steve Bull, who worked with the England cricket team for 17 years. "It creates a particular type of pressure which I don't think other athletes experience."

Given the intensity of the mental drama, it is little wonder that a batsman's struggles are with himself as much as with the bowler he faces, and that a lack of confidence can invite negative thinking and a fear of failure. For top-level batsmen with near-perfect technical skills, protecting themselves from such tendencies is critical. The methods they use to reduce anxiety, stay positive and maintain focus are idiosyncratic, often eccentric and tell us as much about the quirks of the human mind as the nuances of cricket.

If you watched England's three-match Test series against Sri Lanka this summer, you will have spotted a graphic example of one of these methods. Before each ball, the Sri Lankan opener Kaushal Silva performs what psychologists call a "pre-performance routine". He adjusts the velcro on his gloves, moves his bat from his left to his right hand and holds it up in front of him, moves his left elbow back and forth eight times (fewer if he's facing a spinner) as if pulling on an imaginary rope, then, gripping his bat with both hands, arches his back before settling into his crease.

The repetition looks neurotic, but Silva has developed it to help him feel settled. "I don't really count the exact number of times I do it, it just comes from my body," he says. "I do it until I have calmed my nerves and I feel OK and I'm really focused. These small things help me to be myself and to just concentrate on the next ball."

It seems to be working. Sri Lanka lost 0-2, but Silva won his team's Player-of-the-Series award for his 193 runs.

Most batsmen have pre-performance routines, though few as elaborate as Silva's. They might wander a few steps towards square leg, tap the bat on the ground a particular way or pull at their shirt. What psychological purpose does this serve? Brearley thinks it's "a way of clearing the mind of the last ball, getting on with the next one, making clear to oneself that a line needs to be drawn under the last one".

In Jonathan Trott's case this is literally true. He marks his guard with a shallow trench, which he reinforces before each delivery, as if to bury everything that's gone before, a habit he repeats whether he's batting in the nets or in a county or international game.

Such repetition is critical to why routines work, says Bull. "It has to be 100% consistent, every ball always the same. You need to get your routines habitualised to the point where you don't think about them, to practise them so that when you're in the middle you go into automatic pilot."

In other words, batsmen should tune their mental routines alongside their physical ones so that the two coalesce. Consider Kevin Pietersen's advice to a 12-year-old budding cricketer who asked him on Twitter how to stop "second-guessing" himself when playing a shot, a common mental error among cricketers still developing their technique. "Practise, practise, practise, and trust your practise," Pietersen replied. "Hardest thing to do but when you do it changes your game."

Perhaps the most tangible function of routines is that they give the batsman a sense of control over a situation which, for the most part, is out of their hands. The state of the wicket, the weather, the path of the ball through the air and off the pitch are beyond his reckoning; his pre-ball ritual is all his own. This need for control amid so much uncertainty may explain why batsmen are particularly prone to superstitions. Unlike a pre-performance routine, a superstition - essentially an irrational belief in implausible causality - is unlikely to improve performance. Yet cricket is full of them.

The Glamorgan opener Steve James avoided eating duck meat until he retired, and he wouldn't allow his daughter to have plastic ducks in her bath. Mike Atherton had to be first on to the field at the start of an innings, even if it meant barging past his opening partner on the way down the pavilion steps. The South African batsman Neil McKenzie used to tape his bat to the dressing-room ceiling because his team-mates had once done this as a practical joke prior to him scoring a century. Steve Waugh batted with a red rag in his pocket for similar reasons.

Derek Randall, like many batsmen, hated being on 13. "I couldn't wait to get off it," he says. "Sometimes I'd get out because I was trying too hard to get off the blooming thing."

Ed Smith, one of the most notoriously superstitious cricketers, had a habit of asking the umpire, mid-over, how many balls were left. For the first part of his career he did this always after the fourth ball, then switched to asking after the third ball. Since he batted for around 15,000 overs in his career, he must have asked this question of the umpire around 15,000 times.

"It was silly and I knew it," he writes in Luck: A Fresh Look at Fortune (2012). "It was unintelligent and I knew it. It was a source of mirth and I knew it. But I did it anyway. Superstition was a dependency I found hard to give up."

Many batsmens' superstitions revolve around an obsession with their kit. Trott is scrupulous about how he arranges his bats. Atherton always followed the same padding-up routine: box, chest guard, inside thigh-pad, outside thigh-pad, left pad, right pad, arm guard, gloves, helmet. This kind of fastidiousness is not too surprising since batting is much about organisation, repetition and structure.

Yet rigorously adhering to a ritual is unlikely to put you in the runs and could make things worse. "If the superstition is something you might not have control over, like wearing your lucky socks, what happens when you lose your lucky socks or they fall apart," says sports psychologist Stewart Cotterill. "It will have the opposite effect: you'll feel you're not ready."

Once all the fussing and the rituals and the routines are done and the batsman is settled at the crease, he can then focus on the bowling. This is where the real test begins. Unless you are an expert meditator, paying close sustained attention to something for long periods can be mentally draining. To deal with this, coaches encourage batsmen to "dial up" their focus when the bowler is running in and "dial down" between balls.

Atherton says switching on and off like this is "absolutely vital" and came easily to him, a naturally relaxed character. "All studies show you can't concentrate for lengthy periods without a break. The ball is 'live' for maybe six to ten seconds, so that is all you have to concentrate for."

Silva pares down the window of concentration even further, to three or four seconds, switching on only when the bowler is halfway through his run-up. He calculates that this way, if he sets out to score a century in, say, 180 to 200 balls, he will have to concentrate deeply for just ten to 15 minutes. "So it's 15 minutes to get 100 runs. If you cut it down like this then it will be easier. You don't worry about the long term, you just focus on the particular ball."

"Mental skills are like physical skills. You have to work at them relentlessly. You have to challenge your brain to get better at blocking out the negatives and replacing them with positives"

STEVE BULL, SPORTS PSYCHOLOGIST


The thought of surviving hours at the crease can seem overwhelming if you don't break it down.

Tammy Beaumont, who this summer became the first woman to hit back-to-back ODI centuriesfor England, during the series against Pakistan, worries only about the next five runs. "I'll tell myself: get to five, once I get to five get to ten, keep it like that, keep it all about the next ball."

Another approach is to segment time. Brearley and Randall did this during the Centenary Testbetween England and Australia in Melbourne in 1977. Needing 463 to win with a wicket down, they decided to take it in 15-minute sections. "Stick at it, Skip. In ten minutes there'll only be 15 minutes to tea," Brearley recalls Randall saying, in The Art of Captaincy. They lost by 45 runs; Randall scored 174.

You don't have to be an international or even a professional cricketer to benefit from these mental heuristics. Bull says the key difference between elite and "Sunday afternoon batsmen" is that "Sunday afternoon batsmen tend to overcomplicate things. They're standing there tapping the ground as the bowler runs in, thinking about where the fields are, thinking about their left-hand grip, where their shoulders are. The best players in the world are just standing there saying: watch the ball."

Mental routines are a way to simplify things, to shut out technical thoughts, memories of mistimed shots and other internal distractions, and to help the batsman settle into a state of readiness that Bull calls "relaxed alertness". But routines alone may not be enough, especially in international games where the pressures can be immense. To settle nerves and maintain confidence through an innings, many batsmen engage in what used to be considered a symptom of mental illness but is now recognised as fully functional: talking to yourself.

In a 2013 study at an English first-class cricket club, psychologists at Cardiff Metropolitan University found that batsmen used self-talk regularly, either to motivate themselves in challenging situations - when walking out to bat, for example, or after a poor shot - or to deliver instructional cues that focus attention, such as "Watch the ball!"

In fact, "Watch the ball" seems to be the default cue for most batsmen. Ricky Ponting used it. You can sometimes see Eoin Morgan mouthing it before a ball. Beaumont, after watching one of Ponting's masterclasses, adopted it then adapted it - her current cue is "Time the ball, play straight". Easy if you know how.

One of the most notorious self-talkers in cricket history is Randall. He did it constantly and out loud. "It was spontaneous, it was a natural thing to do. When I'm nervous I start talking. It would help me concentrate. It annoyed everybody, including the people who played with me."

During the fourth Test of the 1978-79 Ashes, when Randall scored 150 during the second innings and turned the series in England's favour, his monologue continued throughout the nine hours and 42 minutes he spent at the crease. Here's a snatch of it, as related to Sunday Times journalist Dudley Doust by his opponents and team-mates: "Come on, Rags," he says. "Get stuck in. Don't take any chances. Get forward, get forward. Get behind the ball. Take your time, slow and easy. You idiot, Rags. Come on, come. Come on, England."

Younis Khan, who averages 53.72 in Test cricket and is Pakistan's highest-ever run scorer, also talks to himself all the time when he's at the wicket. But he has a slightly different approach to most, conducting his conversations with an alter ego that he conjures up as he goes out to bat.

"I imagine there is a guy standing in front of me and he is Younis Khan, and just talk with him. It's like there are two Younis Khans standing face to face like a boxer, and they are talking and looking each other in the eyes. Come on, Younis Khan, you can do this, you can do that."

Self-talk can keep you focused, and it can also help maintain confidence, without which batting can feel like Russian roulette. Mark Ramprakash, the England men's batting coach, says confidence and self-belief are "absolutely paramount. They can work wonders: they can make up for a less-than-perfect technique. The thing with cricket is that you have a lot of bad days. You make one wrong decision, or someone takes a great catch. The best players, like Alastair Cook, are incredibly resilient to those bad days. They maintain a belief in their own ability."

Ramprakash himself suffered a crisis of belief early on in his England career when he failed to make a big score and began to question whether he belonged at Test level. Then in 1998 he started working with Bull, brought in by England as team psychologist.

"He gave me a very simple framework of coping with all the scrambled thoughts that were going on in my head," says Ramprakash.

Silva pares down the window of concentration to three or four seconds, switching on only when the bowler is halfway through his run-up. "So it's 15 minutes to get 100 runs. If you cut it down like this then it will be easier"

It proved pivotal. Soon after meeting Bull he scored 154 against West Indies in Barbados - his first Test century - and then topped the averages the following winter in Australia. His team-mate Atherton, writing in his autobiography, said he sensed at the time that Ramprakash was "a totally different person, and consequently, player".

Today the mental side of batting and the pressures that come with playing at international level are taken very seriously by England's management, due in no small part to Ramprakash's influence. Yet confidence is a fickle trait. Sometimes it's necessary to fake it to make it, so to speak. Psychologists have known for decades that feelings and emotions stem from changes in the body, rather than the other way round - a phenomenon known as embodied cognition - which means it's possible to generate confidence simply by acting it out.

"Shadow batting" - practising sublime strokes between balls - or walking out to bat with head held high, can have a positive effect on the way you play. The sports psychologist Jamie Barker, who works with Nottinghamshire Cricket Club and the ECB's performance programme, makes a point of getting players to focus on their body language as they leave the pavilion, to appear confident even if they don't feel it: "If you're assertive, your brain will pick up on that."

Another way of "faking" confidence is to visualise the way you want to play in your mind's eye before the game begins.
In 1974, early in his career, Randall suffered four first-class innings in a row without scoring a run. "It was a nightmare," he says. "The pressure just builds on you." So on the morning of his fifth innings he got up early and arrived at the ground while it was still deserted, strapped on his pads, walked out to the middle, played a cover drive and took a run, "just to remember what it was like". He scored 93 that day.

Ramprakash encourages England's batsmen to use this kind of visualisation, which serves as a cognitive rehearsal for the main event. There is much evidence that it works. One problem with all these approaches is that worrying too much about your own performance can easily make things worse. Steven Sylvester, Middlesex's psychologist and author of the recent book Detox Your Ego(2016), thinks that for players at the top of their game what really matters is "where your heart is, why am I here?"

The important thing, he says, is to believe at an emotional level that you are playing not for yourself but for your team or your country, or some other ideal that transcends you. "When players start to think about their performance as serving the group it increases their self-esteem, their belief goes up and they become a bit freer in their skills. It gives them a little bit extra."

In 2013, Sylvester helped Australia and Middlesex batsman Chris Rogers after he was called up to the Ashes squad more than five years after his previous Test. "It became blindingly obvious that his fear of representing his country in the Ashes as an opening batsman was stopping him from moving forward," he says. "Through a deep discussion of how to serve his country he came up with a more compelling reason to doing well than if it was just about him."

Sylvester coached Moeen Ali through a similar process, helping him put his cricket in the context of his faith and his desire to be a role model. The Pakistan batsman Asad Shafiq, who has scored eight Test centuries at No. 6 - a world record - gives an equally compelling reason for his own success: "To bat at No. 6 you have to be patient, as most of the time the tailenders are with you. You have to give them confidence and support."

Shafiq is batting not just for himself, but for Nos. 7, 8, 9, 10 and 11 as well. He epitomises CLR James' portrait in his classic Beyond a Boundary (1963) of the batsman as the ultimate team player. When facing the ball, writes James, he "does not merely represent his side. For that moment, to all intents and purposes, he is his side."

Without doubt, all batsmen can improve their confidence, resilience and other mental attributes if they're willing to practise. "Mental skills are like physical skills," says Bull. "You have to work at them relentlessly. You have to challenge your brain to get better at blocking out the negatives and replacing them with positives."

Yet it also seems clear that some people are inherently better at this than others. In 2005, Bull carried out a psychological analysis of 12 English cricketers from the previous two decades whom county coaches had identified as the toughest mentally in the country. Among them were Atherton, Graham Gooch and Alec Stewart. Bull found them all to be highly competitive and motivated, full of self-confidence and with a never-say-die attitude, some of which derived from their upbringing, some from the teams they had played with and some from their personality.

For the rest of us, it is comforting to know that we can learn such skills - and that even the greats can struggle at times. Even Don Bradman called batting "a nerve-racking business". In The Art of Cricket (1958), he implores us to give a thought to the batsman's travails as he wends his way to the wicket: "He is human like you, and desperately anxious to do well."