Showing posts with label anti. Show all posts
Showing posts with label anti. Show all posts
Wednesday 13 April 2022
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Saturday 1 January 2022
Wednesday 29 December 2021
Monday 20 December 2021
Saturday 28 November 2020
Wednesday 15 April 2020
Saturday 9 March 2019
For 2,000 years we’ve linked Jews to money. It’s why antisemitism is so ingrained
From Judas to Shylock, Jews have been blamed for the evils of profit and capitalism. To some leftists, that story still appeals writes Jonathan Freedland in The Guardian
John Harris deftly explained the point on these pages this week, writing that Labour has embraced a form of left populism that “tends to present the very real failings of modern capitalism not as a matter of anything systemic, but as the work of a small group of people who are ruining things for the rest”. Such thinking immediately invites a question: who, exactly, are these people who have wrought such havoc? Who makes up this wicked cabal? Antisemitism is there to provide an answer, the same answer it has provided for so long and in so many places: the Jews.
That Momentum recently felt the need to produce a video urging its members not to be seduced by the age-old conspiracy theory that the Rothschilds secretly rule the world confirms that a certain kind of leftist – one who blames capitalism’s deformities on evil individuals, rather than structures – can be susceptible to the lure of antisemitism. But that should scarcely come as a shock, especially in the western societies of Christian Europe, including – perhaps especially – Britain. For in these societies capitalism – money – has always been linked to, even deemed synonymous with, Jews.
Hence my suggestion of a research trip. On 19 March, the Jewish Museum London will open an exhibition both fascinating and deeply unsettling. It’s called Jews, Money, Myth, and it makes clear that the tendency to connect Jews and money is a habit centuries – indeed millennia – old.
Perhaps you’d be unsurprised by the 20th-century examples, including the grotesque caricatures of rich, fat Jewish bankers controlling the globe, sometimes rendered as repulsive, multi-legged, insect-like monsters. (The equality commissioners might be struck by the echo here of the image that Labour officials deemed unworthy of sanction when shared by a party member: it showed an Alien-style creature, marked with a Star of David, clamped to the face of the Statue of Liberty.)
Entering the Victorian era, the casual visitor might nod with similar familiarity at the nutcracker in the shape of Fagin, Charles Dickens’s miserly Jewish pickpocket, a reminder that Jews were mocked for being both too poor and too rich, caricatured as both beggars and bankers, pedlars and plutocrats – a premonition of their later fate, to be blamed for both communism and capitalism. Even so, some of the cartoons might still shock in the ugliness of their depictions of Jews as more akin to rats or insects than people. You head back 400 years and think, “Of course, Shylock” – Shakespeare’s Jew who says, “I did dream of money-bags tonight.” Back through the centuries you go, to the York massacre of 1190, which left an estimated 150 Jews dead, thanks to mob violence stirred by one Richard de Malbis, filled with resentment at the Jews to whom he owed money.
You keep going until you find yourself at Judas, ready to betray the son of God himself for “30 pieces of silver” – a phrase that lives on, incidentally, in social media posts hurled at Jews or their defenders. Now, of course, all the 12 disciples, like Jesus himself, were Jews – yet, as this new exhibition shows, it was Judas who western art chose to depict as the Jew, often with the red hair that marked him out as a betrayer, alongside his mysteriously fair-haired, fair-skinned fellow apostles. The power of the Judas story lives on: Judas a byword for traitor, the word Jew and Judas almost indistinguishable in several languages, including German.
The historical explanation for this enduring linking of Jews and money is that Jews were pushed into financial roles by a church that barred Christians from, say, lending money for interest, and barred Jews from doing much else, such as owning and farming land. As Anthony Julius – whose Trials of the Diaspora is the definitive history of English antisemitism – puts it, in a feudal society in which Jews could be neither peasants nor lords, there was “no other niche” available. But psychological explanations also suggest themselves, starting with the notion that Christian society was able to split off that aspect of itself it regarded as sinful – its pursuit of wealth and profit – and project it instead on to a hated other: the Jew.
Whatever its origins, the archetype of the avaricious Jew acquired its place in the culture. It can operate at the level of playground insult – “Jew” as a synonym for stinginess – and at the level of global conspiracy theory, with Jews, or “Rothschilds”, the hidden hand pulling the strings of world capitalism and its necessary corollary, imperialism. It is planted deep in the soil of western civilisation, in Britain, the land of Fagin and Shylock, especially. It is deep enough to shape our thinking – there to be reached for when a crisis, such as the 2008 crash, requires an easy, explanatory villain – but also so deep that it is almost buried, out of sight.
The result is that sometimes we can’t even see it, even when it is right in front of us. Recall that Jeremy Corbyn’s first response on hearing that the notorious mural depicting Jewish bankers playing Monopoly on the backs of the poor was to be removed, was to ask, “Why?” He literally could not see the problem. (An image of that mural will be included in the exhibition, alongside other examples of antisemitic depictions of supposed Jewish power.)
Given the 2,000-year-old history of this equation between Jews and the wickedness of money, it is absurd to imagine any one of us would be immune to it. Inevitably, plenty of Jews have themselves internalised it – including no less than Karl Marx, whose writings are peppered with anti-Jewish sentiment, who referred to money as “the jealous god of Israel”, and who looked forward to “the emancipation of mankind from Judaism”.
It is equally absurd to think that merely announcing yourself as an anti-racist automatically inoculates you from this history. It doesn’t. Instead it has to be brought into the open and confronted. But first we have to admit that it’s there.
Illustration by Matt Kenyon
I’m reluctant to add to the workload of the Equality and Human Rights Commission, which this week announced the first step towards a statutory inquiry into Labour and antisemitism. If it goes ahead, it will be only the second time the commission has seen fit to investigate a British political party for racism – the first related to the BNP – and, given the number of complaints that have been reported, it’ll have its work cut out. Nevertheless, I have a research trip to suggest.
First, though, a word of context. An oft-heard defence of Labour is that a party of its now vastly increased size is bound to reflect the wider population; since that population includes some antisemites, then, sadly but inevitably, so will Labour. But that swerves around a gloomier possibility: that anti-Jewish racism might exert a particular appeal to some on the left – even, paradoxically enough, those who might otherwise proudly regard themselves as anti-racists.
I’m reluctant to add to the workload of the Equality and Human Rights Commission, which this week announced the first step towards a statutory inquiry into Labour and antisemitism. If it goes ahead, it will be only the second time the commission has seen fit to investigate a British political party for racism – the first related to the BNP – and, given the number of complaints that have been reported, it’ll have its work cut out. Nevertheless, I have a research trip to suggest.
First, though, a word of context. An oft-heard defence of Labour is that a party of its now vastly increased size is bound to reflect the wider population; since that population includes some antisemites, then, sadly but inevitably, so will Labour. But that swerves around a gloomier possibility: that anti-Jewish racism might exert a particular appeal to some on the left – even, paradoxically enough, those who might otherwise proudly regard themselves as anti-racists.
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John Harris deftly explained the point on these pages this week, writing that Labour has embraced a form of left populism that “tends to present the very real failings of modern capitalism not as a matter of anything systemic, but as the work of a small group of people who are ruining things for the rest”. Such thinking immediately invites a question: who, exactly, are these people who have wrought such havoc? Who makes up this wicked cabal? Antisemitism is there to provide an answer, the same answer it has provided for so long and in so many places: the Jews.
That Momentum recently felt the need to produce a video urging its members not to be seduced by the age-old conspiracy theory that the Rothschilds secretly rule the world confirms that a certain kind of leftist – one who blames capitalism’s deformities on evil individuals, rather than structures – can be susceptible to the lure of antisemitism. But that should scarcely come as a shock, especially in the western societies of Christian Europe, including – perhaps especially – Britain. For in these societies capitalism – money – has always been linked to, even deemed synonymous with, Jews.
Hence my suggestion of a research trip. On 19 March, the Jewish Museum London will open an exhibition both fascinating and deeply unsettling. It’s called Jews, Money, Myth, and it makes clear that the tendency to connect Jews and money is a habit centuries – indeed millennia – old.
Perhaps you’d be unsurprised by the 20th-century examples, including the grotesque caricatures of rich, fat Jewish bankers controlling the globe, sometimes rendered as repulsive, multi-legged, insect-like monsters. (The equality commissioners might be struck by the echo here of the image that Labour officials deemed unworthy of sanction when shared by a party member: it showed an Alien-style creature, marked with a Star of David, clamped to the face of the Statue of Liberty.)
Entering the Victorian era, the casual visitor might nod with similar familiarity at the nutcracker in the shape of Fagin, Charles Dickens’s miserly Jewish pickpocket, a reminder that Jews were mocked for being both too poor and too rich, caricatured as both beggars and bankers, pedlars and plutocrats – a premonition of their later fate, to be blamed for both communism and capitalism. Even so, some of the cartoons might still shock in the ugliness of their depictions of Jews as more akin to rats or insects than people. You head back 400 years and think, “Of course, Shylock” – Shakespeare’s Jew who says, “I did dream of money-bags tonight.” Back through the centuries you go, to the York massacre of 1190, which left an estimated 150 Jews dead, thanks to mob violence stirred by one Richard de Malbis, filled with resentment at the Jews to whom he owed money.
You keep going until you find yourself at Judas, ready to betray the son of God himself for “30 pieces of silver” – a phrase that lives on, incidentally, in social media posts hurled at Jews or their defenders. Now, of course, all the 12 disciples, like Jesus himself, were Jews – yet, as this new exhibition shows, it was Judas who western art chose to depict as the Jew, often with the red hair that marked him out as a betrayer, alongside his mysteriously fair-haired, fair-skinned fellow apostles. The power of the Judas story lives on: Judas a byword for traitor, the word Jew and Judas almost indistinguishable in several languages, including German.
The historical explanation for this enduring linking of Jews and money is that Jews were pushed into financial roles by a church that barred Christians from, say, lending money for interest, and barred Jews from doing much else, such as owning and farming land. As Anthony Julius – whose Trials of the Diaspora is the definitive history of English antisemitism – puts it, in a feudal society in which Jews could be neither peasants nor lords, there was “no other niche” available. But psychological explanations also suggest themselves, starting with the notion that Christian society was able to split off that aspect of itself it regarded as sinful – its pursuit of wealth and profit – and project it instead on to a hated other: the Jew.
Whatever its origins, the archetype of the avaricious Jew acquired its place in the culture. It can operate at the level of playground insult – “Jew” as a synonym for stinginess – and at the level of global conspiracy theory, with Jews, or “Rothschilds”, the hidden hand pulling the strings of world capitalism and its necessary corollary, imperialism. It is planted deep in the soil of western civilisation, in Britain, the land of Fagin and Shylock, especially. It is deep enough to shape our thinking – there to be reached for when a crisis, such as the 2008 crash, requires an easy, explanatory villain – but also so deep that it is almost buried, out of sight.
The result is that sometimes we can’t even see it, even when it is right in front of us. Recall that Jeremy Corbyn’s first response on hearing that the notorious mural depicting Jewish bankers playing Monopoly on the backs of the poor was to be removed, was to ask, “Why?” He literally could not see the problem. (An image of that mural will be included in the exhibition, alongside other examples of antisemitic depictions of supposed Jewish power.)
Given the 2,000-year-old history of this equation between Jews and the wickedness of money, it is absurd to imagine any one of us would be immune to it. Inevitably, plenty of Jews have themselves internalised it – including no less than Karl Marx, whose writings are peppered with anti-Jewish sentiment, who referred to money as “the jealous god of Israel”, and who looked forward to “the emancipation of mankind from Judaism”.
It is equally absurd to think that merely announcing yourself as an anti-racist automatically inoculates you from this history. It doesn’t. Instead it has to be brought into the open and confronted. But first we have to admit that it’s there.
Monday 28 May 2018
Saturday 20 February 2016
'Anti National' according to Arnab
Dilip Bobb in Outlook India
The TV channel Times Now is attracting quite a few eyeballs and raising an equal number of eyebrows over its coverage of the row over nationalism. More precisely, the role of its anchor, Arnab Goswami. To figure out what's going on, here's a behind the scenes look at what happens in the studio.
Arnab: Hey you! You anti-national, what are you doing walking onto my set before me and carrying a flag. Is that a Pakistani flag? How dare you? You should be flogged in a public place...
Flag Carrier: Sorry Sir, I'm just the set assistant. I was told you might need the Indian flag to wrap around yourself on tonight's show on patriotism. I'll take it back...
Arnab: How dare you! I may need to raise it along with the decibel level and TRPs even though I can do enough flag-waving without a flag. Who is that other fellow carrying a placard? He must be an anti-national from JNU. How dare he? He should be hung, drawn and quartered...
Flag Carrier: He's the other set assistant. The placard is a screen to conceal the flames that lick the screen when you are on. The producer felt it might look like the Make in India event where the fire had reached the stage where people were still performing.
Arnab: I light the fire. I do the performing. I don't need any artificial aids. No one leaves here without being singed. No one leaves here without saying what the nation wants to know. Why do you think it is called the hot seat?
Flag Carrier: Yes sir, I mean no sir, I mean I'm just the assistant.
Arnab: That's the problem with this country. No one wants to take responsibility, no one wants to accept blame, no one wants to reveal their real position. In my book, that is ant-national activity. Can you deny you are anti-national?
Assistant: (muted)
Arnab: I have shut you off; I will now allow you to speak…Voices such as yours should not be heard. …What is that sound in my ear? Oh, it's the producer, but Mr Producer, how do you know he's just an assistant? These anti-nationals have mastered the art of disguise. See how many anti-nationals are showing up in my studio disguised as professors and academics…What's that? I invited them? Well, then, their credentials should be checked at the gate, their ID cards, their bank accounts, sources of foreign money , etc.
Producer: Arnab, It's me, the show is not going to start for another two hours. Plus, we invite guests, we send cars to pick them up, we pay them for their appearances, how can we check their ID's? It's not been done in news television before.
Arnab: News television has not seen an Arnab before either, Mr Producer Sir, this is the most watched channel, the most admired channel, the most preferred channel...
Producer: Arnab, I am the one who Okays the ads for Times Now. I know what it says but let's not get carried away...
Arnab: What about when they were carrying away poor Hanumanthapa's body in Siachen. I was the one who reminded everyone that a soldier had died and we were hosting anti-nationals on our soil, and in our studios. Did you see the spike in tweets about the show?
Producer: They were not necessarily in our favour. I think that the Siachen issue is buried now. We have had our own reporters attacked by lawyers in the courts.
Arnab: How dare they? Who are these anti-nationals who have the guts to beat up our reporters? I shall expose them, the nation wants to know, who are they?
Producer: They are the same ones we have been calling patriots and nationalists. They were singing Vande Matram on your show.
Arnab: How dare they? Don't they know who they are taking on? We are the voice of the people. Bring them on to the show and I will teach them a lesson in patriotism.
Producer: I tried but they have switched off their mobiles.
Arnab: How dare they? Don't they know how to communicate? How can they remain in silent mode when the nation wants to know, is waiting to know. Tell them anyone who does not appear on Times Now is anti-national. In fact, anyone who does not watch Times Now is anti-national. Now, let's get on with tonight's show.
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