Monday, 15 September 2008
Consummation: A very peculiar practice
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Sunday, 14 September 2008
Go on, you know you want to really...
It's the epitome of wickedness, but also the ultimate affirmation of life. Continuing our two-week series, John Walsh celebrates the joy of seduction and the cads and temptresses who practise it
Sunday, 14 September 2008
Eve was the first seducer. Not because she was naked and slinky and (as it turned out) fatale, but because she led Adam astray. That is unless you agree with Milton that Satan was the seducer in the Garden of Eden, steering Eve away from the straight and narrow. But that's the point of seduction. It's not about having casual sex with lots of people; it's about leading people astray (from the Latin, se- meaning aside, and duco meaning lead) and enticing them into doing something they weren't planning to do, and will probably live to regret.
Seduction is more than an action, it's an exulting in transgression, a promise of corruption. It's an attitude. It's the Compte de Valmont in Les Liaisons Dangereuses, taking the married-but-still-virtuous Madame de Tourvel to bed against her better judgement and murmuring: "Tonight, it is time to acquaint you with some Latin terminology." It's the moment in Joyce's Ulysses when Gerty McDowell, a young nanny sitting on Sandymount Beach, is attracted by the dark, buttoned-up figure of Leopold Bloom standing nearby and, linking both hands around her knee, leans back to watch the fireworks overhead in order to give him a flash of her silk knickers. It's the smirk on the face of the leather-trousered Lothario Michael Hutchence, as he posed beside his latest conquest, Kylie Minogue who seemed transformed by him from a bright-eyed Pollyanna-next-door into a dark-eyed vamp steeped in bedroom lore. It's that smirk on the face of Joey Tribbiani in Friends when he asks every new girl, "How you doin'?" with its unspoken secondary question: "How long will you pretend to hold out against my irresistible sex appeal?"
It's Mrs Robinson in The Graduate, disturbing Benjamin Braddock's 21-year-old self-absorption by throwing her car keys into his fish tank. It's Sergeant Troy in Far From the Madding Crowd performing the sword exercise upon Bathsheba Everdene, and finally slicing off a lock of her hair.
And could there be a more tempting image to lead impressionable Edwardian men astray than the sight of Margarethe Gertrude Zelle photographed in her finery her head, neck, breasts and upper arms festooned with Eastern diadems, in contrast to her white, naked rump? She led so many men to their peril and doom under her assumed name of Mata Hari, she had to be stopped by a French firing squad in 1917.
Seduction is courtship without the promise of marriage at the end. Seduction's only end is conquest, mainly sexual conquest, although for some seducers it's enough to have the victim in their power, enraptured and enslaved by love.
When Keats's haggard knight-at-arms describes how his wild-eyed fairy girlfriend sang to him on a horse, and fetched him roots and honey and manna dew, he seems to evoke a charming scene of innocent romance; but in a dream he learns that he's been seduced and is now, frankly, done for: "I saw pale kings and princes too, / Pale warriors, death-pale were they all; / They cried "La Belle Dame Sans Merci / Hath thee in thrall!"
It's an extraordinary image of love as imprisonment, as a fate from which you'll never be wakened or freed. But the knight is, of course, an exceptional figure: the victims of seductions are almost always women. They suffer "a fate worse than death" in agreeing to have ill-advised sex not because a law has been broken, but because their innocence or credulity has been exploited and betrayed.
Seduction actually was a crime in the middle ages. English common law defined it as "when a male person induced an unmarried female of previously chaste character to engage in an act of sexual intercourse on a promise of marriage". A father was permitted to bring an action for the seduction of his daughter because it deprived him of her "services or earnings", but that seems to take an excessively mercenary view of the value of a daughter.
Down the centuries, many people especially outraged fathers have confused seduction with rape, arguing that a woman who is naturally virtuous and true could not possibly be persuaded to have sex with a scoundrel. If it's impossible for her to have succumbed of her own volition, it follows that she must have been forced or so the thinking goes. But the possibility that the woman was a willing partner in the event, that she was actually a co-conspirator in the whole seduction process, fuelled a hundred plays in the Restoration era and beyond.
There's a wonderful scene in William Congreve's Love for Love, in which the effete townie Tattle is left alone with Mrs Foresight's young ward, Miss Prue. She appears to be a simple country girl, virginal and endangered by this silver-tongued fop, but the truth is quite different. When Tattle proposes making love to her, she readily agrees, saying: "Come, I long to have you begin. Must I make love too? You must tell me how." He, the supposedly vile seducer, is confounded by her directness and has to explain the rules by which men demand sex and women deny them, while gradually being persuaded and eventually complying. She picks up the rules very quickly, as demonstrated when Tattle says: "And won't you shew me, pretty Miss, where your bedchamber is?" To which she replies: "No indeed won't I. But I'll run there and hide myself from you behind the curtains."
The country girl, the maidservant, the innocent seamstress, the trusting pupil they've been the archetypal prey of seducers from time immemorial, the raw material of a thousand vivid dispatches from the sex war in poems, dramas and novels. They became known generically as Fallen Women girls who had dashed their chances of marriage and a happy life by having an inconvenient baby out of wedlock (something that seldom seemed to happen to the upper classes) or becoming the mistress of a blackguard.
The downfall of Tess in Tess of the d'Urbervilles is signalled by the chapter headings: chapter one is "The Maid", chapter two is "Maiden No More". Her fate is not just to be seduced by the bullying Alec d'Urberville, and abandoned by the moralistic Angel Clare, but to become the plaything of Fate.
Yet Thomas Hardy could also see the comic possibilities in a fallen woman becoming the plaything of a particular sort of man. His delicious poem, "The Ruined Maid" tells the story of a rough country girl meeting a former associate on the farm and learning about the better quality of life she led in her disgrace: "Your hands were like paws then, your face blue and bleak / But now I'm bewitched by your delicate cheek, / And your little gloves fit as on any la-dy!" / "We never do work when we're ruined," said she."
So is seduction a matter of laughter or tears? Jenny Newman, the editor of The Faber Book of Seductions, writes in her introduction: "Traditionally there are two main ways of writing about the seduction scene. The first is comic in method. Its entertainment value springs from a display of tactics. Whether or not the seducer gets his or her own way, some kind of happy ending confirms a generally optimistic view of sex. This kind of seduction can be seen as a more adventurous counterpart to what happens in marriage, reaffirming the accepted order of society.
"The other view is tragic. People get hurt and, instead of being allowed to choose, they are drawn inevitably to betrayal. To succumb means the downfall of both seducer and seduced, and perhaps the whole of society too. Instead of co-existing with marriage, this sort of seduction tends to undermine it."
How strange, then, that fictional seducers tend to get a bad press, while real-life triflers with the innocent and virginal tend to win public approval. In his day, Lord Byron was reviled by high society after his divorce, but these days we regard him as a romantic hero. His casual swiving of chambermaids and servant girls all over Europe doesn't sound all that romantic, but still.
Possibly through some atavistic forelock-tugging, when confronted by upper-class misbehaviour, we greet stories of more modern seducers, such as Lord Snowdon and Lord Lichfield, as mere confirmation of their laddish incorrigibility.
Cleopatra's perfumed seductions of both Caesar and Mark Antony (and the spurious detail about her rolling herself in a carpet, to be unrolled before the former) strike us as winningly, charmingly exotic. Frank Sinatra was one of Hollywood's greatest seducers, but his sins of sexual corruption are mostly forgiven him, as they're forgiven those of his successor, Warren Beatty.
As for Alan Clark, the drawling aristocratic English lizard of love, who, over a period of years, gradually seduced a South African judge's wife and both of his daughters, we merely tut-tut at his disrespect for the venerable cuckolded judge, and murmur, "nice grouping".
Their fictional counterparts, however, rarely convince us of their appeal. Volpone, pretending to be mortally ill, so that he can inveigle Celia into his chamber, is a revolting old lecher. Humbert Humbert, the enraptured connoisseur of nymphet love in Lolita, makes us squirm with distaste. Porphyro in Keats's "The Eve of St Agnes," who sneakily watches the gorgeous Madeleine preparing to dream of her lover, then "melts into her dream," is the kind of chap who has sex with a woman while she's unconscious. Lady Booby, in Tom Jones, who tries to seduce Tom away from Sophie Weston, comes across as a disagreeable old boot. Eve and Satan have never had large fan clubs. The Sirens, the great seductresses from Greek mythology who lured sailors to their doom, have never seemed attractive figures. Even James Bond, debonair hero of 80-odd seductions on screen and page, became considered a boorish sexist dinosaur.
Nowadays, we tend to regard it as rather quaint that men and women once pursued and fled from each other, fenced and parried, told wicked lies and promised marriage, rather than talked to each other and explained their desires and intentions out in the open. We may be shocked that, throughout Restoration comedy, women who say "no" seldom mean it. We may think it quaint that men in previous centuries seemed to think women would have sex with them, provided they were sufficiently persuasive and vehement, and went on about it for long enough; not a word was said about whether the women fancied them or not.
But the idea of seduction remains itself rather seductive: the pursuit of love as a thrilling chase, a hunt, a push-me-pull-you quadrille of rejection and acceptance, scheming and flirting and (best-case scenario) a final, sweet acquiescence from the gracious lady.
Behind the best seduction poems and scenes in plays and novels lies a certain tone of voice. It's knowing and funny, logical and persuasive, and, in trying to persuade a woman to come across, it pays her the compliment of constructing fantastical reasoning. John Donne does this in "The Exstasie", where he explains that spiritual soul-mating is all very well, but at some point it must be expressed in physical terms or "else a great prince in prison lies". Very convincing, I'm sure you'll agree.
But the finest example of the seduction poem remains Andrew Marvell's "To His Coy Mistress," in which the poet explains to his girlfriend that their time for loving is short, when it is compared to the wastes of eternity: "Thy beauty shall no more be found / Nor in thy marble vault shall sound / My echoing song; then worms shall try / That long-preserv'd virginity, / And thy quaint honour turn to dust, / And into ashes all my lust. / The grave's a fine and private place, / But none, I think, do there embrace."
Would any sensible woman be seduced by it for a moment? Probably not. But its tone of rational urgency, its playfulness and barefaced cheek, must have loosened a few corset hooks-and-eyes over the years. "Let's get it on," is the message. It's the message that seducers have been trying to insert, subliminally, in their victims' ears for centuries.
Sunday, 14 September 2008
Eve was the first seducer. Not because she was naked and slinky and (as it turned out) fatale, but because she led Adam astray. That is unless you agree with Milton that Satan was the seducer in the Garden of Eden, steering Eve away from the straight and narrow. But that's the point of seduction. It's not about having casual sex with lots of people; it's about leading people astray (from the Latin, se- meaning aside, and duco meaning lead) and enticing them into doing something they weren't planning to do, and will probably live to regret.
Seduction is more than an action, it's an exulting in transgression, a promise of corruption. It's an attitude. It's the Compte de Valmont in Les Liaisons Dangereuses, taking the married-but-still-virtuous Madame de Tourvel to bed against her better judgement and murmuring: "Tonight, it is time to acquaint you with some Latin terminology." It's the moment in Joyce's Ulysses when Gerty McDowell, a young nanny sitting on Sandymount Beach, is attracted by the dark, buttoned-up figure of Leopold Bloom standing nearby and, linking both hands around her knee, leans back to watch the fireworks overhead in order to give him a flash of her silk knickers. It's the smirk on the face of the leather-trousered Lothario Michael Hutchence, as he posed beside his latest conquest, Kylie Minogue who seemed transformed by him from a bright-eyed Pollyanna-next-door into a dark-eyed vamp steeped in bedroom lore. It's that smirk on the face of Joey Tribbiani in Friends when he asks every new girl, "How you doin'?" with its unspoken secondary question: "How long will you pretend to hold out against my irresistible sex appeal?"
It's Mrs Robinson in The Graduate, disturbing Benjamin Braddock's 21-year-old self-absorption by throwing her car keys into his fish tank. It's Sergeant Troy in Far From the Madding Crowd performing the sword exercise upon Bathsheba Everdene, and finally slicing off a lock of her hair.
And could there be a more tempting image to lead impressionable Edwardian men astray than the sight of Margarethe Gertrude Zelle photographed in her finery her head, neck, breasts and upper arms festooned with Eastern diadems, in contrast to her white, naked rump? She led so many men to their peril and doom under her assumed name of Mata Hari, she had to be stopped by a French firing squad in 1917.
Seduction is courtship without the promise of marriage at the end. Seduction's only end is conquest, mainly sexual conquest, although for some seducers it's enough to have the victim in their power, enraptured and enslaved by love.
When Keats's haggard knight-at-arms describes how his wild-eyed fairy girlfriend sang to him on a horse, and fetched him roots and honey and manna dew, he seems to evoke a charming scene of innocent romance; but in a dream he learns that he's been seduced and is now, frankly, done for: "I saw pale kings and princes too, / Pale warriors, death-pale were they all; / They cried "La Belle Dame Sans Merci / Hath thee in thrall!"
It's an extraordinary image of love as imprisonment, as a fate from which you'll never be wakened or freed. But the knight is, of course, an exceptional figure: the victims of seductions are almost always women. They suffer "a fate worse than death" in agreeing to have ill-advised sex not because a law has been broken, but because their innocence or credulity has been exploited and betrayed.
Seduction actually was a crime in the middle ages. English common law defined it as "when a male person induced an unmarried female of previously chaste character to engage in an act of sexual intercourse on a promise of marriage". A father was permitted to bring an action for the seduction of his daughter because it deprived him of her "services or earnings", but that seems to take an excessively mercenary view of the value of a daughter.
Down the centuries, many people especially outraged fathers have confused seduction with rape, arguing that a woman who is naturally virtuous and true could not possibly be persuaded to have sex with a scoundrel. If it's impossible for her to have succumbed of her own volition, it follows that she must have been forced or so the thinking goes. But the possibility that the woman was a willing partner in the event, that she was actually a co-conspirator in the whole seduction process, fuelled a hundred plays in the Restoration era and beyond.
There's a wonderful scene in William Congreve's Love for Love, in which the effete townie Tattle is left alone with Mrs Foresight's young ward, Miss Prue. She appears to be a simple country girl, virginal and endangered by this silver-tongued fop, but the truth is quite different. When Tattle proposes making love to her, she readily agrees, saying: "Come, I long to have you begin. Must I make love too? You must tell me how." He, the supposedly vile seducer, is confounded by her directness and has to explain the rules by which men demand sex and women deny them, while gradually being persuaded and eventually complying. She picks up the rules very quickly, as demonstrated when Tattle says: "And won't you shew me, pretty Miss, where your bedchamber is?" To which she replies: "No indeed won't I. But I'll run there and hide myself from you behind the curtains."
The country girl, the maidservant, the innocent seamstress, the trusting pupil they've been the archetypal prey of seducers from time immemorial, the raw material of a thousand vivid dispatches from the sex war in poems, dramas and novels. They became known generically as Fallen Women girls who had dashed their chances of marriage and a happy life by having an inconvenient baby out of wedlock (something that seldom seemed to happen to the upper classes) or becoming the mistress of a blackguard.
The downfall of Tess in Tess of the d'Urbervilles is signalled by the chapter headings: chapter one is "The Maid", chapter two is "Maiden No More". Her fate is not just to be seduced by the bullying Alec d'Urberville, and abandoned by the moralistic Angel Clare, but to become the plaything of Fate.
Yet Thomas Hardy could also see the comic possibilities in a fallen woman becoming the plaything of a particular sort of man. His delicious poem, "The Ruined Maid" tells the story of a rough country girl meeting a former associate on the farm and learning about the better quality of life she led in her disgrace: "Your hands were like paws then, your face blue and bleak / But now I'm bewitched by your delicate cheek, / And your little gloves fit as on any la-dy!" / "We never do work when we're ruined," said she."
So is seduction a matter of laughter or tears? Jenny Newman, the editor of The Faber Book of Seductions, writes in her introduction: "Traditionally there are two main ways of writing about the seduction scene. The first is comic in method. Its entertainment value springs from a display of tactics. Whether or not the seducer gets his or her own way, some kind of happy ending confirms a generally optimistic view of sex. This kind of seduction can be seen as a more adventurous counterpart to what happens in marriage, reaffirming the accepted order of society.
"The other view is tragic. People get hurt and, instead of being allowed to choose, they are drawn inevitably to betrayal. To succumb means the downfall of both seducer and seduced, and perhaps the whole of society too. Instead of co-existing with marriage, this sort of seduction tends to undermine it."
How strange, then, that fictional seducers tend to get a bad press, while real-life triflers with the innocent and virginal tend to win public approval. In his day, Lord Byron was reviled by high society after his divorce, but these days we regard him as a romantic hero. His casual swiving of chambermaids and servant girls all over Europe doesn't sound all that romantic, but still.
Possibly through some atavistic forelock-tugging, when confronted by upper-class misbehaviour, we greet stories of more modern seducers, such as Lord Snowdon and Lord Lichfield, as mere confirmation of their laddish incorrigibility.
Cleopatra's perfumed seductions of both Caesar and Mark Antony (and the spurious detail about her rolling herself in a carpet, to be unrolled before the former) strike us as winningly, charmingly exotic. Frank Sinatra was one of Hollywood's greatest seducers, but his sins of sexual corruption are mostly forgiven him, as they're forgiven those of his successor, Warren Beatty.
As for Alan Clark, the drawling aristocratic English lizard of love, who, over a period of years, gradually seduced a South African judge's wife and both of his daughters, we merely tut-tut at his disrespect for the venerable cuckolded judge, and murmur, "nice grouping".
Their fictional counterparts, however, rarely convince us of their appeal. Volpone, pretending to be mortally ill, so that he can inveigle Celia into his chamber, is a revolting old lecher. Humbert Humbert, the enraptured connoisseur of nymphet love in Lolita, makes us squirm with distaste. Porphyro in Keats's "The Eve of St Agnes," who sneakily watches the gorgeous Madeleine preparing to dream of her lover, then "melts into her dream," is the kind of chap who has sex with a woman while she's unconscious. Lady Booby, in Tom Jones, who tries to seduce Tom away from Sophie Weston, comes across as a disagreeable old boot. Eve and Satan have never had large fan clubs. The Sirens, the great seductresses from Greek mythology who lured sailors to their doom, have never seemed attractive figures. Even James Bond, debonair hero of 80-odd seductions on screen and page, became considered a boorish sexist dinosaur.
Nowadays, we tend to regard it as rather quaint that men and women once pursued and fled from each other, fenced and parried, told wicked lies and promised marriage, rather than talked to each other and explained their desires and intentions out in the open. We may be shocked that, throughout Restoration comedy, women who say "no" seldom mean it. We may think it quaint that men in previous centuries seemed to think women would have sex with them, provided they were sufficiently persuasive and vehement, and went on about it for long enough; not a word was said about whether the women fancied them or not.
But the idea of seduction remains itself rather seductive: the pursuit of love as a thrilling chase, a hunt, a push-me-pull-you quadrille of rejection and acceptance, scheming and flirting and (best-case scenario) a final, sweet acquiescence from the gracious lady.
Behind the best seduction poems and scenes in plays and novels lies a certain tone of voice. It's knowing and funny, logical and persuasive, and, in trying to persuade a woman to come across, it pays her the compliment of constructing fantastical reasoning. John Donne does this in "The Exstasie", where he explains that spiritual soul-mating is all very well, but at some point it must be expressed in physical terms or "else a great prince in prison lies". Very convincing, I'm sure you'll agree.
But the finest example of the seduction poem remains Andrew Marvell's "To His Coy Mistress," in which the poet explains to his girlfriend that their time for loving is short, when it is compared to the wastes of eternity: "Thy beauty shall no more be found / Nor in thy marble vault shall sound / My echoing song; then worms shall try / That long-preserv'd virginity, / And thy quaint honour turn to dust, / And into ashes all my lust. / The grave's a fine and private place, / But none, I think, do there embrace."
Would any sensible woman be seduced by it for a moment? Probably not. But its tone of rational urgency, its playfulness and barefaced cheek, must have loosened a few corset hooks-and-eyes over the years. "Let's get it on," is the message. It's the message that seducers have been trying to insert, subliminally, in their victims' ears for centuries.
Saturday, 13 September 2008
The mysterious power of attraction
The mysterious power of attraction
Sex and love are the great driving forces of human affairs: the source of our deepest feelings and the inspiration for much of our culture. Yet how much do we actually understand them? Introducing a major two-week series, Deborah Orr considers the enigma of sexual and romantic magnetism
Saturday, 13 September 2008
Attraction. The very word attracts. Why should it not? Attraction is fantastically attractive. Especially when it is powerful and mutual. Attraction can provide a link to another human so irresistible that it feels like an enchantment, one that renders all other needs and duties oddly meaningless, tiresome and irrelevant.
Away from the object of desire, one is fretful and distracted, unable to eat, unable to sleep, unable to concentrate. All that matters is the next encounter, for with its consummation one will feel euphoric, blissful, thrumming with life and with tenderness. With that other person, one will feel that nothing is missing any more. Couples so drawn, talk of being two halves, complete only when they are together.
Who would refuse such luxury, such security and such communion? Who would not want to be so lucky? Anyway, isn't that passionate compulsion practically useful? Doesn't it encourage exclusive pair-bonding in humans, and foster the lovely notion that there's a perfect soul mate somewhere in the world for everyone? Or is that feeling so preposterously wonderful that, really, there has to be a catch somewhere?
Attraction, after all, can be so overwhelming of the individual, and of the individual's other necessary duties and relationships, that during most of Western history it has been considered dangerous and destabilising enough to be constrained as much as celebrated. The Greeks portrayed sexual attraction as a weapon, a dart that might pierce the flesh and possess a soul, causing chaos among humans and gods alike.
For Dante or Petrarch, courtly love was a kind of divine torture, with young men pining and fading for years at the sight of a chaperoned maiden who besotted them. The great literature of love Romeo and Juliet, Anna Karenina, Madame Bovary warns of the dangers of being driven by desire.
Even in Wagner's Tristan and Isolde, forbidden love leads to disaster and death. Except in this work, though, there is a sense that it was splendid, even sacred, nonetheless. Wagner contended that it was wrong, not right, to fight or fear erotic longing. His idea caught on, and plenty of people now subscribe to the belief that a truly significant passion should be gleefully accommodated, not resisted. Wagner's vision can credibly be argued as one which helped to dismantle views about attraction, desire and love that had for thousands of years been forged in the Judeo-Christian tradition.
That, sensibility, warned against being carried away by sexual passion, and portrayed such unbiddable emotions as an unreliable foundation on which to build anything as fragile as love, or nurture any creatures as vulnerable as children. By the second half of the 20th century, though, this culture of restraint had been jettisoned, and replaced by the idea that self-denial was self-abnegation.
Now, in its general thrust, our culture is in love with the idea of love, awash with cock-eyed romanticism and unable to tell any more what's attraction, what's lust and what's love. Puberty, and even childhood is suffused with a popular music soundtrack that peddles endless trite paeans to the central importance of modern romance. The most surprising of people want naff anthems celebrating some songwriter's long-since ruined "true love" at their weddings. At some point, most teenage girls at least flirt with the idea of giving attraction a dry run by developing a crush on a pop star. Heaven knows what Wagner would make of it all.
On the whole, people don't really like it when scientists tell them that attraction is all down to pheromones, or waist-to-hip proportion, or instinctive recognition of genetic differentiation. There's disgruntlement as well, when churchmen tell us that togetherness is tough work involving ceaseless dollops of selflessness and commitment to the needs of others. We don't like it when our mums tell us that it is not "real" because we have never met Frankie from Look We're Boys. It's love we want, because we want to believe that love conquers all.
It is considered a measure of the depth and the wonder of attraction, when a couple recognise a special bond from their first glance. Their eyes met across a crowded room. They fell in love at first sight. They knew they had found their soul mate. And so on. But really, it is not in the least surprising that many couples lay claim to such a moment of revelation.
The great thing about "love at first sight" is that it is retrospective. The exchange of a special look can be forgotten within moments if a seemingly perfect potential partner is exposed in a minute of conversation as a humourless bore, or a sleazy vulgarian, or merely myopic. But if the exchange of looks that register mutual interest is followed up by the discovery of easy conversation, shared humour, fascinating opinions, common enthusiasms, and a yearning to touch and be touched, then that first glance is remembered and treasured.
Even if the encounter goes nowhere even if one of the amazing things the two of you discover you have in common is a spouse at home looking after the children then that short time of togetherness can still be filed away as a beguiling monument to what might have been. And if the encounter does develop if sexual pairing is as intimate and intense as it promised to be, if care, commitment and domestic compatibility lead inexorably to the creation of one big happy family, then that first meeting becomes a talismanic opening to a family's narrative of perfect togetherness.
But social science does, in its controlled experiments and clinical assessments, offer an alternative story of love. Humans, like all other animals, tend at times to be in search of a mate. At such times, each encounter, with anyone who might possibly be considered a candidate, is an audition. Without even being particularly aware of it, people tend to size up potential partners and even just potential friends all the time. Research has shown that people make complex judgements about others based on age, physical appearance, sartorial presentation, deportment, demeanour and social context in a matter of seconds rather than minutes after seeing or meeting them. Our own observation of the world around us confirms that such triage can be ruthless.
People who are physically beautiful tend immediately to dismiss those they consider less beautiful than they are. People who reckon themselves stylish are repelled by a fashion faux-pas. People who set store by their social standing will, at a glance, decide whether a person is likely to be as privileged as them, and edit out those who don't measure up (so much so that they may find themselves unable to recall the colour of the hair of the waiter who served them all night, or notice that the same mini-cab driver picks them up all the time). When we are looking for a partner, we are auditing all the time. Once a target is so selected, the chances are that further investigation will indeed elicit mutual interest.
Despite all the myth and mystery the romance, if you will - that surrounds the process of human pairing, this, at bottom, is the essence of the matter. People tend to be attracted by people who find them or seem likely to find them attractive. The faces we like best are the faces that are looking our way. The eyes that we are mesmerised by are the eyes that are looking into ours.
The banal truth, around the world, is that couples tend to be homogeneous they choose (or in some cultures, have chosen for them) people who are at a similar level to them of attractiveness, or intelligence, or background, or economic power. When people step outside that convention, others are often distrustful of the couple in question and their motives.
A beautiful young woman, for example, may decide that she is not going to barter her beauty and youth in the sexual marketplace in order to snare someone who is as young and beautiful as she is. She may decide instead that she'll cash in nature's chips for old and rich. It's a fair exchange between consenting adults, but one that's seen as pretty risible.
We may be fascinated when people make truly surprising or weird love matches like the upper-class Englishwoman who marries a traditional Inuit and lives happily ever after. But mostly we are fairly disapproving when people break the unwritten rules of the mating game and use the advantage of their sexual attractiveness, or their money and power, to pull someone who is, in that telling phrase, "out of their league".
So, can the ghastly truth be that those treasured coups de foudre - those towering edifices built on the magnetic rock of primal, perfect love, occur when a person instantly identifies, or thinks they identify, nothing more or less than a suitably flattering reflection of themselves? Can overwhelming attraction, whether or not it develops into anything that endures, actually be at root narcissistic?
Anecdotal reference to that heady feeling of novel attraction, enthusiastically returned, will confirm that along with the weak knees, fluttery tummies and bonkers attachment to the essential truth of the silliest song lyrics, a keenly enjoyable aspect of the matter is the bolstering of one's own ego. Part of the joy of having that other person so intimately present in one's life is firmly connected to the undeniable fact that they also make you feel just great about yourself.
The ruminations on attraction that have been offered since Wagner's day by psychoanalysts and psychiatrists are often little more welcome than those of the scientists who say that your partner is not perfect for you because you mutually deserve such a marvellous mate, but because you just have smells that trigger each other's hormones.
Freud placed the ability to form meaningful relationships with the opposite sex as the result of good parenting, and the inability to do so as a consequence of dysfunctional relationships between girls and their fathers or boys and their mothers. He also suggested that while a degree of narcissism was present in all humans, it was important to release self-love by giving love to another person, or else narcissism would grow unchecked and become destructive.
Jung went further, and suggested that what seemed like "love at first sight" was merely projection. People see their masculine animus or their feminine anima in a member of the opposite sex, and are attracted by what they recognise as the unconscious and hidden part of themselves. For Jung, it was important to understand that aspect of one's psyche, so that one could stop projecting, grow up (or as he called it, individuate) and learn to engage with one's anima or animus so that one could choose wisely and start forming adult relationships.
The inability to "individuate" was for Jung the reason why people sometimes found themselves trapped in a romantic groundhog day, choosing again and again similarly unsuitable or abusive partners, and falling into unreasoning obsessions ending in hurt and tears. Again, such an analysis is not always entirely welcome, and it does indeed seem like rather a con the idea that the "unlucky in love" ought to sign up with a Jungian analyst and work on getting to know and understand their hidden sexual archetype. Yet like many of Jung's ideas and many of Freud's it is hard to dismiss completely.
Anthony Storr, a renowned psychiatrist of a more practical bent, once remarked that if people could get a grip on their tendency to form neurotic attachments to those who displayed the most destructive traits of a parent, then his consulting rooms would be empty. Which, in the end, is another way of saying that whatever we might tell ourselves about coups de foudres and love at first sight and irresistible passion we fancy the people that our genes and our upbringing tell us to.
But where's the romance in that?
Sex and love are the great driving forces of human affairs: the source of our deepest feelings and the inspiration for much of our culture. Yet how much do we actually understand them? Introducing a major two-week series, Deborah Orr considers the enigma of sexual and romantic magnetism
Saturday, 13 September 2008
Attraction. The very word attracts. Why should it not? Attraction is fantastically attractive. Especially when it is powerful and mutual. Attraction can provide a link to another human so irresistible that it feels like an enchantment, one that renders all other needs and duties oddly meaningless, tiresome and irrelevant.
Away from the object of desire, one is fretful and distracted, unable to eat, unable to sleep, unable to concentrate. All that matters is the next encounter, for with its consummation one will feel euphoric, blissful, thrumming with life and with tenderness. With that other person, one will feel that nothing is missing any more. Couples so drawn, talk of being two halves, complete only when they are together.
Who would refuse such luxury, such security and such communion? Who would not want to be so lucky? Anyway, isn't that passionate compulsion practically useful? Doesn't it encourage exclusive pair-bonding in humans, and foster the lovely notion that there's a perfect soul mate somewhere in the world for everyone? Or is that feeling so preposterously wonderful that, really, there has to be a catch somewhere?
Attraction, after all, can be so overwhelming of the individual, and of the individual's other necessary duties and relationships, that during most of Western history it has been considered dangerous and destabilising enough to be constrained as much as celebrated. The Greeks portrayed sexual attraction as a weapon, a dart that might pierce the flesh and possess a soul, causing chaos among humans and gods alike.
For Dante or Petrarch, courtly love was a kind of divine torture, with young men pining and fading for years at the sight of a chaperoned maiden who besotted them. The great literature of love Romeo and Juliet, Anna Karenina, Madame Bovary warns of the dangers of being driven by desire.
Even in Wagner's Tristan and Isolde, forbidden love leads to disaster and death. Except in this work, though, there is a sense that it was splendid, even sacred, nonetheless. Wagner contended that it was wrong, not right, to fight or fear erotic longing. His idea caught on, and plenty of people now subscribe to the belief that a truly significant passion should be gleefully accommodated, not resisted. Wagner's vision can credibly be argued as one which helped to dismantle views about attraction, desire and love that had for thousands of years been forged in the Judeo-Christian tradition.
That, sensibility, warned against being carried away by sexual passion, and portrayed such unbiddable emotions as an unreliable foundation on which to build anything as fragile as love, or nurture any creatures as vulnerable as children. By the second half of the 20th century, though, this culture of restraint had been jettisoned, and replaced by the idea that self-denial was self-abnegation.
Now, in its general thrust, our culture is in love with the idea of love, awash with cock-eyed romanticism and unable to tell any more what's attraction, what's lust and what's love. Puberty, and even childhood is suffused with a popular music soundtrack that peddles endless trite paeans to the central importance of modern romance. The most surprising of people want naff anthems celebrating some songwriter's long-since ruined "true love" at their weddings. At some point, most teenage girls at least flirt with the idea of giving attraction a dry run by developing a crush on a pop star. Heaven knows what Wagner would make of it all.
On the whole, people don't really like it when scientists tell them that attraction is all down to pheromones, or waist-to-hip proportion, or instinctive recognition of genetic differentiation. There's disgruntlement as well, when churchmen tell us that togetherness is tough work involving ceaseless dollops of selflessness and commitment to the needs of others. We don't like it when our mums tell us that it is not "real" because we have never met Frankie from Look We're Boys. It's love we want, because we want to believe that love conquers all.
It is considered a measure of the depth and the wonder of attraction, when a couple recognise a special bond from their first glance. Their eyes met across a crowded room. They fell in love at first sight. They knew they had found their soul mate. And so on. But really, it is not in the least surprising that many couples lay claim to such a moment of revelation.
The great thing about "love at first sight" is that it is retrospective. The exchange of a special look can be forgotten within moments if a seemingly perfect potential partner is exposed in a minute of conversation as a humourless bore, or a sleazy vulgarian, or merely myopic. But if the exchange of looks that register mutual interest is followed up by the discovery of easy conversation, shared humour, fascinating opinions, common enthusiasms, and a yearning to touch and be touched, then that first glance is remembered and treasured.
Even if the encounter goes nowhere even if one of the amazing things the two of you discover you have in common is a spouse at home looking after the children then that short time of togetherness can still be filed away as a beguiling monument to what might have been. And if the encounter does develop if sexual pairing is as intimate and intense as it promised to be, if care, commitment and domestic compatibility lead inexorably to the creation of one big happy family, then that first meeting becomes a talismanic opening to a family's narrative of perfect togetherness.
But social science does, in its controlled experiments and clinical assessments, offer an alternative story of love. Humans, like all other animals, tend at times to be in search of a mate. At such times, each encounter, with anyone who might possibly be considered a candidate, is an audition. Without even being particularly aware of it, people tend to size up potential partners and even just potential friends all the time. Research has shown that people make complex judgements about others based on age, physical appearance, sartorial presentation, deportment, demeanour and social context in a matter of seconds rather than minutes after seeing or meeting them. Our own observation of the world around us confirms that such triage can be ruthless.
People who are physically beautiful tend immediately to dismiss those they consider less beautiful than they are. People who reckon themselves stylish are repelled by a fashion faux-pas. People who set store by their social standing will, at a glance, decide whether a person is likely to be as privileged as them, and edit out those who don't measure up (so much so that they may find themselves unable to recall the colour of the hair of the waiter who served them all night, or notice that the same mini-cab driver picks them up all the time). When we are looking for a partner, we are auditing all the time. Once a target is so selected, the chances are that further investigation will indeed elicit mutual interest.
Despite all the myth and mystery the romance, if you will - that surrounds the process of human pairing, this, at bottom, is the essence of the matter. People tend to be attracted by people who find them or seem likely to find them attractive. The faces we like best are the faces that are looking our way. The eyes that we are mesmerised by are the eyes that are looking into ours.
The banal truth, around the world, is that couples tend to be homogeneous they choose (or in some cultures, have chosen for them) people who are at a similar level to them of attractiveness, or intelligence, or background, or economic power. When people step outside that convention, others are often distrustful of the couple in question and their motives.
A beautiful young woman, for example, may decide that she is not going to barter her beauty and youth in the sexual marketplace in order to snare someone who is as young and beautiful as she is. She may decide instead that she'll cash in nature's chips for old and rich. It's a fair exchange between consenting adults, but one that's seen as pretty risible.
We may be fascinated when people make truly surprising or weird love matches like the upper-class Englishwoman who marries a traditional Inuit and lives happily ever after. But mostly we are fairly disapproving when people break the unwritten rules of the mating game and use the advantage of their sexual attractiveness, or their money and power, to pull someone who is, in that telling phrase, "out of their league".
So, can the ghastly truth be that those treasured coups de foudre - those towering edifices built on the magnetic rock of primal, perfect love, occur when a person instantly identifies, or thinks they identify, nothing more or less than a suitably flattering reflection of themselves? Can overwhelming attraction, whether or not it develops into anything that endures, actually be at root narcissistic?
Anecdotal reference to that heady feeling of novel attraction, enthusiastically returned, will confirm that along with the weak knees, fluttery tummies and bonkers attachment to the essential truth of the silliest song lyrics, a keenly enjoyable aspect of the matter is the bolstering of one's own ego. Part of the joy of having that other person so intimately present in one's life is firmly connected to the undeniable fact that they also make you feel just great about yourself.
The ruminations on attraction that have been offered since Wagner's day by psychoanalysts and psychiatrists are often little more welcome than those of the scientists who say that your partner is not perfect for you because you mutually deserve such a marvellous mate, but because you just have smells that trigger each other's hormones.
Freud placed the ability to form meaningful relationships with the opposite sex as the result of good parenting, and the inability to do so as a consequence of dysfunctional relationships between girls and their fathers or boys and their mothers. He also suggested that while a degree of narcissism was present in all humans, it was important to release self-love by giving love to another person, or else narcissism would grow unchecked and become destructive.
Jung went further, and suggested that what seemed like "love at first sight" was merely projection. People see their masculine animus or their feminine anima in a member of the opposite sex, and are attracted by what they recognise as the unconscious and hidden part of themselves. For Jung, it was important to understand that aspect of one's psyche, so that one could stop projecting, grow up (or as he called it, individuate) and learn to engage with one's anima or animus so that one could choose wisely and start forming adult relationships.
The inability to "individuate" was for Jung the reason why people sometimes found themselves trapped in a romantic groundhog day, choosing again and again similarly unsuitable or abusive partners, and falling into unreasoning obsessions ending in hurt and tears. Again, such an analysis is not always entirely welcome, and it does indeed seem like rather a con the idea that the "unlucky in love" ought to sign up with a Jungian analyst and work on getting to know and understand their hidden sexual archetype. Yet like many of Jung's ideas and many of Freud's it is hard to dismiss completely.
Anthony Storr, a renowned psychiatrist of a more practical bent, once remarked that if people could get a grip on their tendency to form neurotic attachments to those who displayed the most destructive traits of a parent, then his consulting rooms would be empty. Which, in the end, is another way of saying that whatever we might tell ourselves about coups de foudres and love at first sight and irresistible passion we fancy the people that our genes and our upbringing tell us to.
But where's the romance in that?
The science of magnetism
It all feels so simple yet the forces that draw women and men together have been subjected to rigorous scientific analysis. Cathy Holding explores the rules of attraction
Friday, 12 September 2008
We all think we know instinctively what we find attractive in other people. Off the top of our heads, we will probably mention attributes such as facial appearance, physical build, mannerisms and behaviours. But how do we define physical appeal and attraction? What, precisely, makes an attractive woman or man?
The idea of applying scientific analytical methods to such questions may seem about as appropriate as analysing Shakespeare's love sonnets through the mathematics of rhythm and the structure of language and vocabulary to better understand their seductive effects. Nevertheless, breaking down the aspects of attractiveness into their component parts and then subjecting them to rigorous scientific testing has provided answers to many of the basic questions about the judgements we make in the first few moments of meeting a potential partner.
The psychological mechanisms underlying these judgements of attractiveness in humans have evolved with the primary purpose of finding a high quality mate. Animals display traits and receive multiple signals related to some basic physical quality or attribute and science shows we are not very far removed from animals in these respects. It might be interesting to take a moment and consider the things you would look for if you were, for example, about to embark on a speed dating mission to find the partner of your dreams. In a BBC internet survey of the top three most desirable traits in a potential partner, after breaking down the results according to gender, men ranked good looks and facial attractiveness higher than women, while women preferred honesty, humour, kindness and dependability in their men. However, the latest research suggests men and women are completely unaware at a conscious level of what truly attracts them to another person. When a group of young people were asked about their preferences before a speed dating session, the usual gender difference was found, in that men said they would prefer good looking women while women would seek men with good earning potential and nurturing capabilities. However, as these people made their choices during the speed dating session, it became apparent that the gender divide had disappeared, and there was no difference in the number of men and women who were attracted to a partner through looks. Women were also much more choosey about the type of man they were attracted to, while men were far less discriminating. This is in line with the Darwinian theory of mate selection, with choosey females and competitive males. It seems that people are closer to animals than they might care to admit, and they are also intrinsically unaware of what they actually find attractive in a partner.
WHAT MEN FIND ATTRACTIVE ABOUT WOMEN
A pretty face
What makes a pretty face? Studies have found that average, symmetrical faces are attractive and it is thought they honestly signal good traits such as healthiness, including how well a person has adapted to the stresses of genetic and environmental development. Hence facial symmetry suggests "good genes". In a recent survey, women with symmetrical faces were considered to have more feminine facial proportions and such feminine features are considered to be more attractive.
This attractiveness is not just about looks though, because a study has found that feminine features are empirically linked to higher levels of oestrogen in women.
However, familiar or typical faces are also viewed as more attractive, while more unusual and distinctive faces are rated less attractive. Furthermore, seeing faces more often increases their attractiveness rating. Hence facial appearance is a cue to hormone levels in women but presumably only at the first meeting and providing the woman is not too distant, ethnically or genetically.
While facial symmetry is regarded as an attractive quality, most people don't actually realise they are looking for symmetry. Once again, unconscious mechanisms come into play in determining face preferences. This may help explain why the reasons behind attraction are often so difficult to describe.
The question of make-up
The link between attractiveness and hormone levels is lost when women wear make-up. However, both men and women judge full facial make-up to be more attractive than wearing no facial makeup. Men prefer women with full eye make-up and foundation, but lipstick is not necessarily considered an enhancement to beauty. Men find a greater contrast between the darkness of the eyes and lips and the lightness of the surrounding skin to be most beautiful.
Voice pitch
Men prefer women with higher pitched voices, even when artificially manipulated. A more recent report, however, indicates that men perceive raised pitch more attractive only if the women are demonstrating an interest in them. Breathiness when speaking is also considered to be a feminine characteristic women might therefore wish to consider cultivating a "Nicole Kidman" approach to speech.
Body shape
The question of body shape is a contentious issue. Studies have broken down the analysis of what makes a perfectly shaped body into body mass index (BMI), waist:hip ratio (WHR) (the circumference of the waist compared to the circumference of the hip), waist:bust ratio (WBR) and body weight. Curvaceousness, the hourglass shape, has also been found to be a factor.
There are many aspects involved in the perception and judgement of body shape that clearly cannot be measured in isolation. Motion and three-dimensional presentation affect the attractiveness of shape and weight, and provoke basic social perceptions of biological gender and health, and of fitness for particular environments. Hence measures of a woman's attractiveness vary depending on whether the she is in motion or is posing. Using the frequencies with which female celebrities star in film or in magazines as a measure for attractiveness, women with low BMI are more likely to be seen in film (and, therefore, in motion) but women with low WHR or WBR are more likely to be seen posing in magazines. A study examined the changes in idealised female body images in the media (such as Playboy magazine Playmates of the Year, Miss America Pageant winners, and fashion models) and young women in general over a period of eight decades. In the early and latter parts of the 20th century the ideal was for less curvaceous women, while during the middle decades the ideal was for very curvaceous women. Over the period studied, models tended to have smaller bosoms and hips, but Playmates had larger bosoms and smaller waists, indicating a difference between the media's ideal woman and that of men in the real world.
Bosom
Bigger bosoms are more attractive to men. We are probably all aware of that, but just to prove it, in one study a female member of a research team, wearing a bra that permitted her to vary her bust size, sat in a nightclub and on the pavement area of a bar for an hour at each location. She was approached by men more often while exhibiting the bigger bust. A similarly equipped female researcher was offered more hitch-hiking lifts from thumbing when she had a larger bosom, which may reinforce the idea that men do not offer lifts just to be kind and sociable.
WHAT WOMEN FIND ATTRACTIVE ABOUT MEN
As most men would agree, and most women would deny, hormones play a major role in female attraction to males. However, the degree to which hormones (and pheromones) play a role in attraction is much greater than women would perhaps care to discover.
Nesting instincts and hormones
Facial attractiveness in men signals better genetic stock, greater genetic variability and higher testosterone levels. However, men who are genetically good stock make poorer partners and parents than men of genetically lower quality. Very masculine facial characteristics larger jawbones and more prominent cheekbones suggest to women negative attributes relevant to relationships and paternal investment. The more masculine a face, the more the perceived dominance and negative behaviour aspects (such as coldness or dishonesty). Therefore women often prefer men with slightly more feminine faces. Men who possess the childlike features of large eyes, the mature features of prominent cheekbones and a large chin, the expressive feature of a big smile, and high-status clothing are seen as the most highly attractive.
So women in stable relationships are therefore with men of poorer genetic stock. Hence a woman might theoretically invest in a stable relationship but obtain high quality genetic stock by straying outside the partnership, most logically at her most fertile period. Most women (and men) would be shocked at such an inference, but the science points in that direction. In a study of partnered women, most found single men were most attractive only when they were briefly in their fertile phase; otherwise they were not attracted to them.
Women's preference for men who display more masculine traits varies with the menstrual cycle. Women prefer the odour of dominant men, and prefer men who act in a dominant fashion and who have more masculine faces, at the peak fertility time of their menstrual cycle, particularly at the follicular phase. It may be shocking, but women fancy men with the most masculine traits when they are most likely to conceive. One study found that this is linked to oestradiol levels, which track with a woman's preference for testosterone levels in men over the menstrual cycle. A group of genes called the major histocompatibility complex (MHC) influence individual odours in men. If women prefer the odour of MHC-dissimilar males it is perhaps to increase genetic diversity in their offspring or to reduce inbreeding. Women prefer the odour of men who are more dissimilar in MHC when they are approaching the most fertile part of their menstrual cycle. Women on the pill, however, do not demonstrate this preference, suggesting that the contraceptive pill might affect the choices made by women and hence fertility of the human species as a whole except of course that women come off the pill in order to conceive.
All this suggests that women may be driven to seek less attractive partners in order to provide a stable and nurturing environment for their children, but may secretly improve the genetic quality of their offspring through extra-pair matings with the most masculine and attractive men while at their most fertile. Either way, as with partner selection, and with how we define facial beauty, it appears that powerful forces are at work behind the scenes in our reproductive strategies, of which we are oblivious.
VIVE LA DIFFERENCE
So what can we do to make ourselves more attractive to the opposite sex? The simplest answer for women is to reinforce the gender difference. Everything men are attracted to in women points towards an emphasis on femininity. Therefore a woman should dress herself as femininely as possible, emphasise her feminine features and wear make up. In this day and age, that sounds almost sexist! Does it just come down to clothes? Science also tells us that smiling and eye contact make people significantly more attractive, to both sexes. As for men, if looking for a stable relationship, the opposite advice applies: reduce the gender difference both in looks and behaviour, and emphasise the loving and caring partner aspects. Both sexes should try to remember, though: it's the men who compete and the women who choose. If it's something else, you're doing it wrong.
Friday, 12 September 2008
We all think we know instinctively what we find attractive in other people. Off the top of our heads, we will probably mention attributes such as facial appearance, physical build, mannerisms and behaviours. But how do we define physical appeal and attraction? What, precisely, makes an attractive woman or man?
The idea of applying scientific analytical methods to such questions may seem about as appropriate as analysing Shakespeare's love sonnets through the mathematics of rhythm and the structure of language and vocabulary to better understand their seductive effects. Nevertheless, breaking down the aspects of attractiveness into their component parts and then subjecting them to rigorous scientific testing has provided answers to many of the basic questions about the judgements we make in the first few moments of meeting a potential partner.
The psychological mechanisms underlying these judgements of attractiveness in humans have evolved with the primary purpose of finding a high quality mate. Animals display traits and receive multiple signals related to some basic physical quality or attribute and science shows we are not very far removed from animals in these respects. It might be interesting to take a moment and consider the things you would look for if you were, for example, about to embark on a speed dating mission to find the partner of your dreams. In a BBC internet survey of the top three most desirable traits in a potential partner, after breaking down the results according to gender, men ranked good looks and facial attractiveness higher than women, while women preferred honesty, humour, kindness and dependability in their men. However, the latest research suggests men and women are completely unaware at a conscious level of what truly attracts them to another person. When a group of young people were asked about their preferences before a speed dating session, the usual gender difference was found, in that men said they would prefer good looking women while women would seek men with good earning potential and nurturing capabilities. However, as these people made their choices during the speed dating session, it became apparent that the gender divide had disappeared, and there was no difference in the number of men and women who were attracted to a partner through looks. Women were also much more choosey about the type of man they were attracted to, while men were far less discriminating. This is in line with the Darwinian theory of mate selection, with choosey females and competitive males. It seems that people are closer to animals than they might care to admit, and they are also intrinsically unaware of what they actually find attractive in a partner.
WHAT MEN FIND ATTRACTIVE ABOUT WOMEN
A pretty face
What makes a pretty face? Studies have found that average, symmetrical faces are attractive and it is thought they honestly signal good traits such as healthiness, including how well a person has adapted to the stresses of genetic and environmental development. Hence facial symmetry suggests "good genes". In a recent survey, women with symmetrical faces were considered to have more feminine facial proportions and such feminine features are considered to be more attractive.
This attractiveness is not just about looks though, because a study has found that feminine features are empirically linked to higher levels of oestrogen in women.
However, familiar or typical faces are also viewed as more attractive, while more unusual and distinctive faces are rated less attractive. Furthermore, seeing faces more often increases their attractiveness rating. Hence facial appearance is a cue to hormone levels in women but presumably only at the first meeting and providing the woman is not too distant, ethnically or genetically.
While facial symmetry is regarded as an attractive quality, most people don't actually realise they are looking for symmetry. Once again, unconscious mechanisms come into play in determining face preferences. This may help explain why the reasons behind attraction are often so difficult to describe.
The question of make-up
The link between attractiveness and hormone levels is lost when women wear make-up. However, both men and women judge full facial make-up to be more attractive than wearing no facial makeup. Men prefer women with full eye make-up and foundation, but lipstick is not necessarily considered an enhancement to beauty. Men find a greater contrast between the darkness of the eyes and lips and the lightness of the surrounding skin to be most beautiful.
Voice pitch
Men prefer women with higher pitched voices, even when artificially manipulated. A more recent report, however, indicates that men perceive raised pitch more attractive only if the women are demonstrating an interest in them. Breathiness when speaking is also considered to be a feminine characteristic women might therefore wish to consider cultivating a "Nicole Kidman" approach to speech.
Body shape
The question of body shape is a contentious issue. Studies have broken down the analysis of what makes a perfectly shaped body into body mass index (BMI), waist:hip ratio (WHR) (the circumference of the waist compared to the circumference of the hip), waist:bust ratio (WBR) and body weight. Curvaceousness, the hourglass shape, has also been found to be a factor.
There are many aspects involved in the perception and judgement of body shape that clearly cannot be measured in isolation. Motion and three-dimensional presentation affect the attractiveness of shape and weight, and provoke basic social perceptions of biological gender and health, and of fitness for particular environments. Hence measures of a woman's attractiveness vary depending on whether the she is in motion or is posing. Using the frequencies with which female celebrities star in film or in magazines as a measure for attractiveness, women with low BMI are more likely to be seen in film (and, therefore, in motion) but women with low WHR or WBR are more likely to be seen posing in magazines. A study examined the changes in idealised female body images in the media (such as Playboy magazine Playmates of the Year, Miss America Pageant winners, and fashion models) and young women in general over a period of eight decades. In the early and latter parts of the 20th century the ideal was for less curvaceous women, while during the middle decades the ideal was for very curvaceous women. Over the period studied, models tended to have smaller bosoms and hips, but Playmates had larger bosoms and smaller waists, indicating a difference between the media's ideal woman and that of men in the real world.
Bosom
Bigger bosoms are more attractive to men. We are probably all aware of that, but just to prove it, in one study a female member of a research team, wearing a bra that permitted her to vary her bust size, sat in a nightclub and on the pavement area of a bar for an hour at each location. She was approached by men more often while exhibiting the bigger bust. A similarly equipped female researcher was offered more hitch-hiking lifts from thumbing when she had a larger bosom, which may reinforce the idea that men do not offer lifts just to be kind and sociable.
WHAT WOMEN FIND ATTRACTIVE ABOUT MEN
As most men would agree, and most women would deny, hormones play a major role in female attraction to males. However, the degree to which hormones (and pheromones) play a role in attraction is much greater than women would perhaps care to discover.
Nesting instincts and hormones
Facial attractiveness in men signals better genetic stock, greater genetic variability and higher testosterone levels. However, men who are genetically good stock make poorer partners and parents than men of genetically lower quality. Very masculine facial characteristics larger jawbones and more prominent cheekbones suggest to women negative attributes relevant to relationships and paternal investment. The more masculine a face, the more the perceived dominance and negative behaviour aspects (such as coldness or dishonesty). Therefore women often prefer men with slightly more feminine faces. Men who possess the childlike features of large eyes, the mature features of prominent cheekbones and a large chin, the expressive feature of a big smile, and high-status clothing are seen as the most highly attractive.
So women in stable relationships are therefore with men of poorer genetic stock. Hence a woman might theoretically invest in a stable relationship but obtain high quality genetic stock by straying outside the partnership, most logically at her most fertile period. Most women (and men) would be shocked at such an inference, but the science points in that direction. In a study of partnered women, most found single men were most attractive only when they were briefly in their fertile phase; otherwise they were not attracted to them.
Women's preference for men who display more masculine traits varies with the menstrual cycle. Women prefer the odour of dominant men, and prefer men who act in a dominant fashion and who have more masculine faces, at the peak fertility time of their menstrual cycle, particularly at the follicular phase. It may be shocking, but women fancy men with the most masculine traits when they are most likely to conceive. One study found that this is linked to oestradiol levels, which track with a woman's preference for testosterone levels in men over the menstrual cycle. A group of genes called the major histocompatibility complex (MHC) influence individual odours in men. If women prefer the odour of MHC-dissimilar males it is perhaps to increase genetic diversity in their offspring or to reduce inbreeding. Women prefer the odour of men who are more dissimilar in MHC when they are approaching the most fertile part of their menstrual cycle. Women on the pill, however, do not demonstrate this preference, suggesting that the contraceptive pill might affect the choices made by women and hence fertility of the human species as a whole except of course that women come off the pill in order to conceive.
All this suggests that women may be driven to seek less attractive partners in order to provide a stable and nurturing environment for their children, but may secretly improve the genetic quality of their offspring through extra-pair matings with the most masculine and attractive men while at their most fertile. Either way, as with partner selection, and with how we define facial beauty, it appears that powerful forces are at work behind the scenes in our reproductive strategies, of which we are oblivious.
VIVE LA DIFFERENCE
So what can we do to make ourselves more attractive to the opposite sex? The simplest answer for women is to reinforce the gender difference. Everything men are attracted to in women points towards an emphasis on femininity. Therefore a woman should dress herself as femininely as possible, emphasise her feminine features and wear make up. In this day and age, that sounds almost sexist! Does it just come down to clothes? Science also tells us that smiling and eye contact make people significantly more attractive, to both sexes. As for men, if looking for a stable relationship, the opposite advice applies: reduce the gender difference both in looks and behaviour, and emphasise the loving and caring partner aspects. Both sexes should try to remember, though: it's the men who compete and the women who choose. If it's something else, you're doing it wrong.
Thursday, 11 September 2008
If 12 ordinary citizens were not convinced of an airline bomb plot.....
Terrorists win if we lose faith in trial by jury
If 12 ordinary citizens were not convinced of an airline bomb plot, police and politicians have no right to contradict them
Get Hotmail on your mobile from Vodafone Try it Now
Wednesday, 10 September 2008
Pakistan's Westward Drift
By Pervez Hoodbhoy
08 September 2008
Himal South Asian
‘Alif’ is for Allah
‘Bay’ is for bundooq (gun)
‘Hay’ is for hijab
‘Jeem’ is for jihad
‘Tay’ is for takrao (collision)
‘Zal’ is for zunoob (sin)
For three decades, deep tectonic forces have been silently tearing Pakistan away from the Subcontinent and driving it towards the Arabian Peninsula. This continental drift is not geophysical but cultural, driven by a belief that Pakistan must exchange its Southasian identity for an Arab-Muslim one. Grain by grain, the desert sands of Saudi Arabia are replacing the alluvium that had nurtured Muslim culture in the Indian Subcontinent for over a thousand years. A stern, unyielding version of Islam – Wahhabism – is replacing the kinder, gentler Islam of the Sufis and saints.
This drift is by design. Twenty-five years ago, the Pakistani state pushed Islam onto its people. Prayers in government departments were deemed compulsory; floggings were carried out publicly; punishments were meted out to those who did not fast during Ramadan; selection for academic posts required that the candidates demonstrate knowledge of Islamic teachings, and the jihad was emphasised as essential for every Muslim. Today, such government intervention is no longer needed due to the spontaneous groundswell of Islamic zeal. The notion of an Islamic state – as yet in some amorphous and diffused form – is more popular than ever before, as people look desperately for miracles to rescue a failing state. Across the country, there has been a spectacular increase in the power and prestige of the clerics, attendance in mosques, home prayer meetings (dars and zikr), observance of special religious festivals, and fasting during Ramadan.
Villages have changed drastically, driven in part by Pakistani workers returning from Arab countries. Many village mosques are now giant madrassas that propagate hard-line Salafi and Deobandi beliefs through oversized loudspeakers. They are bitterly opposed to Barelvis, Shias and other Muslims who they do not consider to be Muslims. Punjabis, who were far more liberal towards women than were the Pashtuns, are now beginning to embrace the line of thought resembling that of the Taliban. Hanafi law (from one of the four schools of thought or jurisprudence within Sunni Islam) has begun to prevail over tradition and civil law.
Among the Pakistani lower-middle and middle classes lurks a grim and humourless Saudi-inspired revivalist movement (which can be called ‘Saudi-isation’) that frowns upon every form of joyous expression. Lacking any positive connection to culture and knowledge, it seeks to eliminate ‘corruption’ by strictly regulating cultural life and seizing absolute control of the education system. “Classical music is on its last legs in Pakistan; the sarangi and vichtarveena are completely dead,” laments Mohammad Shehzad, a student of music. Indeed, teaching music in public universities is vehemently opposed by students of the Islami Jamaat-e-Talaba, religious fundamentalists who consider music haram. Kathak dancing, once popular among the Muslim elite of India, has no teachers left in Pakistan, and the feature films produced in the country are of next to no consequence. Meanwhile the Pakistani elites, disconnected from the rest of the
population, comfortably live their lives through their vicarious proximity to the West.
School militarism
More than a quarter-century after the state-sponsored Islamisation of the country, the state in Pakistan is itself under attack from religious militants, and rival Islamic groups battle each other with heavy weapons. Ironically, the same army – whose men were recruited under the banner of jihad, and which saw itself as the fighting arm of Islam – today stands accused of betrayal, and is targeted by Islamist suicide bombers on an almost daily basis. The militancy that bedevils Pakistan is by no means confined to the tribal areas; it breeds feverishly in the cities as well. Pakistan’s self-inflicted suffering comes from an education system that propagates the jihad culture, which ceaselessly demands that Islam be understood as a complete code of life, designed to create in the minds of the school child a sense of siege and embattlement.
The process begins early. For example, the government-approved curriculum of a Class V Social Studies textbook prescribes that the child should be able to “Make speeches on Jehad and Shahadat”, and “Understand Hindu-Muslim differences and the resultant need for Pakistan.” The material placed before the Pakistani schoolchild has remained largely unchanged even after the attacks of 11 September 2001, which led to Pakistan’s abrupt desertion of the Taliban and the slackening of the Kashmir jihad. Indeed, for all the talk of ‘enlightened moderation’, then-General Pervez Musharraf’s educational curriculum, passed down with some dilution from the time of Zia ul- Haq, was far from enlightening. Fearful of taking on powerful religious forces, every incumbent government has refused to take a position on the curriculum. Thus, successive administrations have quietly allowed the young minds to be moulded by fanatics.
As such, the promotion of militarism in Pakistan’s schools, colleges and universities has had a profound effect on young people. Militant jihad has become a part of the culture in college and university campuses, with armed groups inviting students for jihad in Kashmir and Afghanistan. The primary vehicle for ‘Saudi-ising’ Pakistan’s education has been the madrassa. During the war against the Soviet occupation of Afghanistan, madrassas provided the US-Saudi-Pakistan alliance that recruits needed for fighting a ‘holy’ war. Earlier on, this role had been limited to turning out the occasional Islamic scholar, using a curriculum dating back to the 11th century with minor subsequent revisions. The principal function of the madrassas had been to produce imams and muezzins for mosques.
The Afghan jihad changed everything. Under Zia, with active assistance from Saudi Arabia, madrassas sprang up across the length and breadth of Pakistan, and now number about 22,000. The free room, board and supplies provided to students has always constituted a key part of the appeal to join these madrassas. But the desire of parents across the country for their children to be ‘disciplined’, and to be given a thorough ‘Islamic’ education, is also a major contributing factor.
One of the chief goals of the Islamists is to bring about a complete separation of the sexes, the consequences of which have been catastrophic. Take the tragic example of the stampede in a madrassa in Karachi in April 2006, in which 21 women and eight children were crushed to death, and scores more injured; all the while, male rescuers were prevented from assisting. Likewise, after the October 2005 earthquake, as this writer walked through the destroyed city of Balakot, a student of the Frontier Medical College described how he and his male colleagues were stopped by religious elders from digging out injured girls from under the rubble of their school building.
The drive to segregate the sexes is now also influencing educated women. Vigorous proselytisers of this message, such as Farhat Hashmi – one of the most influential contemporary Muslim scholars, or ulema, particularly in Pakistan, the UK and the US – have become massively successful, and have been catapulted to heights of fame and fortune. Two decades ago, the fully veiled student was a rarity on any university or college campus in Pakistan. Abaya was once an unknown word in Urdu, but today many shops in Islamabad specialise in these dreary robes, which cover the entire body except the face, feet and hands. At colleges and universities across Pakistan, female students are today seeking the anonymity of the burqa, outnumbering their sisters who still dare to show their faces.
The immediate future of Pakistan looks grim, as increasing numbers of mullahs are creating cults around themselves and seizing control over the minds of their worshippers. In the tribal areas, a string of new Islamist leaders have suddenly emerged – Baituallah Mehsud, Fazlullah, Mangal Bagh and Haji Namdar among others – feeding on the environment of poverty, deprivation, lack of justice, and extreme
disparities in wealth.
In the long term, Pakistan’s future will be determined by the ideological and political battle between citizens who want an Islamist theocratic state, and citizens who want a modern Islamic republic. It may yet be possible to roll back the Islamist laws and institutions that have corroded Pakistani society for over 30 years, and defeat the ‘holy’ warriors. However, this can only happen if Pakistan’s elected leaders acquire the trust of the citizens. To do this, political parties, government officials and, yes, even generals will have to embrace democracy, in both word and deed.
Pervez Hoodbhoy is a physicist at Quaid-e-Azam University in Islamabad.
08 September 2008
Himal South Asian
‘Alif’ is for Allah
‘Bay’ is for bundooq (gun)
‘Hay’ is for hijab
‘Jeem’ is for jihad
‘Tay’ is for takrao (collision)
‘Zal’ is for zunoob (sin)
For three decades, deep tectonic forces have been silently tearing Pakistan away from the Subcontinent and driving it towards the Arabian Peninsula. This continental drift is not geophysical but cultural, driven by a belief that Pakistan must exchange its Southasian identity for an Arab-Muslim one. Grain by grain, the desert sands of Saudi Arabia are replacing the alluvium that had nurtured Muslim culture in the Indian Subcontinent for over a thousand years. A stern, unyielding version of Islam – Wahhabism – is replacing the kinder, gentler Islam of the Sufis and saints.
This drift is by design. Twenty-five years ago, the Pakistani state pushed Islam onto its people. Prayers in government departments were deemed compulsory; floggings were carried out publicly; punishments were meted out to those who did not fast during Ramadan; selection for academic posts required that the candidates demonstrate knowledge of Islamic teachings, and the jihad was emphasised as essential for every Muslim. Today, such government intervention is no longer needed due to the spontaneous groundswell of Islamic zeal. The notion of an Islamic state – as yet in some amorphous and diffused form – is more popular than ever before, as people look desperately for miracles to rescue a failing state. Across the country, there has been a spectacular increase in the power and prestige of the clerics, attendance in mosques, home prayer meetings (dars and zikr), observance of special religious festivals, and fasting during Ramadan.
Villages have changed drastically, driven in part by Pakistani workers returning from Arab countries. Many village mosques are now giant madrassas that propagate hard-line Salafi and Deobandi beliefs through oversized loudspeakers. They are bitterly opposed to Barelvis, Shias and other Muslims who they do not consider to be Muslims. Punjabis, who were far more liberal towards women than were the Pashtuns, are now beginning to embrace the line of thought resembling that of the Taliban. Hanafi law (from one of the four schools of thought or jurisprudence within Sunni Islam) has begun to prevail over tradition and civil law.
Among the Pakistani lower-middle and middle classes lurks a grim and humourless Saudi-inspired revivalist movement (which can be called ‘Saudi-isation’) that frowns upon every form of joyous expression. Lacking any positive connection to culture and knowledge, it seeks to eliminate ‘corruption’ by strictly regulating cultural life and seizing absolute control of the education system. “Classical music is on its last legs in Pakistan; the sarangi and vichtarveena are completely dead,” laments Mohammad Shehzad, a student of music. Indeed, teaching music in public universities is vehemently opposed by students of the Islami Jamaat-e-Talaba, religious fundamentalists who consider music haram. Kathak dancing, once popular among the Muslim elite of India, has no teachers left in Pakistan, and the feature films produced in the country are of next to no consequence. Meanwhile the Pakistani elites, disconnected from the rest of the
population, comfortably live their lives through their vicarious proximity to the West.
School militarism
More than a quarter-century after the state-sponsored Islamisation of the country, the state in Pakistan is itself under attack from religious militants, and rival Islamic groups battle each other with heavy weapons. Ironically, the same army – whose men were recruited under the banner of jihad, and which saw itself as the fighting arm of Islam – today stands accused of betrayal, and is targeted by Islamist suicide bombers on an almost daily basis. The militancy that bedevils Pakistan is by no means confined to the tribal areas; it breeds feverishly in the cities as well. Pakistan’s self-inflicted suffering comes from an education system that propagates the jihad culture, which ceaselessly demands that Islam be understood as a complete code of life, designed to create in the minds of the school child a sense of siege and embattlement.
The process begins early. For example, the government-approved curriculum of a Class V Social Studies textbook prescribes that the child should be able to “Make speeches on Jehad and Shahadat”, and “Understand Hindu-Muslim differences and the resultant need for Pakistan.” The material placed before the Pakistani schoolchild has remained largely unchanged even after the attacks of 11 September 2001, which led to Pakistan’s abrupt desertion of the Taliban and the slackening of the Kashmir jihad. Indeed, for all the talk of ‘enlightened moderation’, then-General Pervez Musharraf’s educational curriculum, passed down with some dilution from the time of Zia ul- Haq, was far from enlightening. Fearful of taking on powerful religious forces, every incumbent government has refused to take a position on the curriculum. Thus, successive administrations have quietly allowed the young minds to be moulded by fanatics.
As such, the promotion of militarism in Pakistan’s schools, colleges and universities has had a profound effect on young people. Militant jihad has become a part of the culture in college and university campuses, with armed groups inviting students for jihad in Kashmir and Afghanistan. The primary vehicle for ‘Saudi-ising’ Pakistan’s education has been the madrassa. During the war against the Soviet occupation of Afghanistan, madrassas provided the US-Saudi-Pakistan alliance that recruits needed for fighting a ‘holy’ war. Earlier on, this role had been limited to turning out the occasional Islamic scholar, using a curriculum dating back to the 11th century with minor subsequent revisions. The principal function of the madrassas had been to produce imams and muezzins for mosques.
The Afghan jihad changed everything. Under Zia, with active assistance from Saudi Arabia, madrassas sprang up across the length and breadth of Pakistan, and now number about 22,000. The free room, board and supplies provided to students has always constituted a key part of the appeal to join these madrassas. But the desire of parents across the country for their children to be ‘disciplined’, and to be given a thorough ‘Islamic’ education, is also a major contributing factor.
One of the chief goals of the Islamists is to bring about a complete separation of the sexes, the consequences of which have been catastrophic. Take the tragic example of the stampede in a madrassa in Karachi in April 2006, in which 21 women and eight children were crushed to death, and scores more injured; all the while, male rescuers were prevented from assisting. Likewise, after the October 2005 earthquake, as this writer walked through the destroyed city of Balakot, a student of the Frontier Medical College described how he and his male colleagues were stopped by religious elders from digging out injured girls from under the rubble of their school building.
The drive to segregate the sexes is now also influencing educated women. Vigorous proselytisers of this message, such as Farhat Hashmi – one of the most influential contemporary Muslim scholars, or ulema, particularly in Pakistan, the UK and the US – have become massively successful, and have been catapulted to heights of fame and fortune. Two decades ago, the fully veiled student was a rarity on any university or college campus in Pakistan. Abaya was once an unknown word in Urdu, but today many shops in Islamabad specialise in these dreary robes, which cover the entire body except the face, feet and hands. At colleges and universities across Pakistan, female students are today seeking the anonymity of the burqa, outnumbering their sisters who still dare to show their faces.
The immediate future of Pakistan looks grim, as increasing numbers of mullahs are creating cults around themselves and seizing control over the minds of their worshippers. In the tribal areas, a string of new Islamist leaders have suddenly emerged – Baituallah Mehsud, Fazlullah, Mangal Bagh and Haji Namdar among others – feeding on the environment of poverty, deprivation, lack of justice, and extreme
disparities in wealth.
In the long term, Pakistan’s future will be determined by the ideological and political battle between citizens who want an Islamist theocratic state, and citizens who want a modern Islamic republic. It may yet be possible to roll back the Islamist laws and institutions that have corroded Pakistani society for over 30 years, and defeat the ‘holy’ warriors. However, this can only happen if Pakistan’s elected leaders acquire the trust of the citizens. To do this, political parties, government officials and, yes, even generals will have to embrace democracy, in both word and deed.
Pervez Hoodbhoy is a physicist at Quaid-e-Azam University in Islamabad.
Tuesday, 9 September 2008
One thing is clear from the history of trade: protectionism makes you rich
However much Peter Mandelson bullies them, poor countries know his equation of fair trade and free trade is nonsense
-
- The Guardian,
- Tuesday September 9 2008
- Article history
It is not often that a bureaucrat makes a major scientific discovery. So hats off to Peter Power. The European commission's spokesperson for trade, writing to the Guardian last week, has invented a new ecological concept: excess fish. Seeking to justify policies that would ensure that European trawlers are allowed to keep fishing in west African waters, Mr Power claims that they will be removing only the region's "excess stocks". Well, someone has to do it. Were it not for our brave trawlermen battling nature's delinquent productivity, the seas would become choked with these disgusting scaly creatures.
Power was responding to the column I wrote a fortnight ago, which showed how fish stocks have collapsed and the people of Senegal have gone hungry as a result of plunder by other nations. The economic partnership agreement the commission wants Senegal to sign would make it much harder for that country to keep our boats out of its waters. Power maintains that "the question of access to Senegalese waters by EU fleets ... is not part of these trade negotiations".
This is a splendid example of strategic stupidity. No one is claiming that there is a specific fish agreement for Senegal. But the commission's demand that European companies have the right to establish themselves freely on African soil and to receive "national treatment" would ensure that Senegal is not allowed to discriminate between its own businesses and foreign firms. It would then be unable to exclude European boats. Is this really too much for a well-paid bureaucrat to grasp?
After that column was published, several people wrote to suggest that the problem is worse than I thought. Senegal's fish crisis is part of a bitterly ironic story. As Felicity Lawrence shows in her book Eat Your Heart Out, the people of Senegal have become dependent on fishing partly because of the collapse of farming. In 1994, Senegal was forced to remove its trade taxes. This allowed the EU to dump subsidised tomatoes and chicken on its markets, putting its farmers out of business. They moved into fishing at about the same time as the European super-trawlers arrived, and were wiped out again. So fishing boats were instead deployed to carry economic migrants out of Senegal. Lawrence discovered that those who survive the voyage to Europe are being employed in near-slavery by ... the subsidised tomato industry.
But this is just one aspect of a scandal that has been missed by almost every journalist in the UK. While we have been fretting about house prices and the Big Brother final, the European trade commissioner, Peter Mandelson, has been seeking to impose new trade agreements on 76 of the world's poorest countries: the African, Caribbean and Pacific (ACP) nations. Posing as "instruments for development", the economic partnership agreements threaten to beggar them.
The people of these countries know that trade is essential to pull them out of poverty. But they also see that unless it is conducted fairly, it impoverishes them more. Many are aware that the European equation of fair trade with free trade is nonsense.
Neoliberal economists claim rich countries got that way by removing their barriers to trade. Nothing could be further from the truth. As Ha-Joon Chang shows in his book Kicking Away the Ladder, Britain discovered its enthusiasm for free trade only after it had achieved economic dominance. The industrial revolution was built on protectionism: in 1699, for example, we banned the import of Irish woollens; in 1700 we banned cotton cloth from India. To protect our infant industries, we imposed ferocious tariffs (trade taxes) on almost all manufactured goods.
By 1816 the US had imposed a 35% tax on most imported manufactures, which rose to 50% in 1832. Between 1864 and 1913 it was the most heavily protected nation on earth, and the fastest-growing. It wasn't until after the second world war, when it had already become top dog, that it dropped most of its tariffs. The same strategy was followed by Japan, South Korea, Taiwan and almost every other country that is rich today. Within the ACP nations, the great success story of the past 30 years is the country whose protectionism has been fiercest: during the 1980s and 1990s, Mauritius imposed import tariffs of up to 80%. Protectionism, which can be easily exploited by corrupt elites, does not always deliver wealth; but development is much harder without it.
Mandelson's attempt to deprive the poor nations of these strategies is just one of the injustices he is trying to impose. While he wants the ACP countries to eliminate tariffs on the import of almost all goods, Europe will sustain its farm subsidies. In combination, these policies could put millions out of work.
As Oxfam shows, he's also negotiating to let European corporations muscle out local firms and make privatisation legally irreversible, threatening people's access to health, education, water and banking. The ACP countries would be forbidden to impose tough capital controls in a financial crisis: the need for European companies to get their money out takes precedence over the economic survival of the poor. He wants them to adopt a plant-breeding treaty that bans farmers from saving their own seeds.
Mandelson tried to force all this through by last December, warning the ACP countries that if they didn't sign up by then, world trade rules would ensure that they lost their preferential trading status with Europe. The UN trade adviser Dr Dan Gay tells me that people in the talks between the European commission, Fiji and Papua New Guinea claim that "Mandelson shouted 'neocolonial style' at ministers, suggesting that they were so incompetent that they had to rely on foreign advisers". Mandelson's office says he "did express the wish to negotiate with ministers present, rather than their advisers. However, he did not shout 'neocolonial style' at anyone."
Either way, there is no question that the ACP countries have been bullied. In December their trade ministers published a joint statement deploring "the enormous pressure that has been brought to bear on the ACP states by the European commission". Over half of them refused to sign anything; the rest initialled draft agreements. Mandelson is still twisting arms, trying to force the treaties through as quickly as possible. Last week the Caribbean heads of state were due to commit themselves, but pulled back at the last minute; they hold a meeting tomorrow to decide what to do next. I hope they have the balls to tear the whole thing up and start again.
If the aim of these negotiations had been to enrich European companies at the expense of the poor, Peter Mandelson has done well. If, as the commission claims, the partnership agreements are "primarily conceived as an instrument for development", his interventions have been disastrous. He appears to have pursued these talks in the style of a 21st-century viceroy: no humanitarian concern is allowed to obstruct commercial interests.
In the short term, and within a limited frame of reference, the commission's tactics might enhance our self-interest. But we are better than this. If the people of Europe knew what was being done in their name, I doubt that one in 10 would support it.
Power was responding to the column I wrote a fortnight ago, which showed how fish stocks have collapsed and the people of Senegal have gone hungry as a result of plunder by other nations. The economic partnership agreement the commission wants Senegal to sign would make it much harder for that country to keep our boats out of its waters. Power maintains that "the question of access to Senegalese waters by EU fleets ... is not part of these trade negotiations".
This is a splendid example of strategic stupidity. No one is claiming that there is a specific fish agreement for Senegal. But the commission's demand that European companies have the right to establish themselves freely on African soil and to receive "national treatment" would ensure that Senegal is not allowed to discriminate between its own businesses and foreign firms. It would then be unable to exclude European boats. Is this really too much for a well-paid bureaucrat to grasp?
After that column was published, several people wrote to suggest that the problem is worse than I thought. Senegal's fish crisis is part of a bitterly ironic story. As Felicity Lawrence shows in her book Eat Your Heart Out, the people of Senegal have become dependent on fishing partly because of the collapse of farming. In 1994, Senegal was forced to remove its trade taxes. This allowed the EU to dump subsidised tomatoes and chicken on its markets, putting its farmers out of business. They moved into fishing at about the same time as the European super-trawlers arrived, and were wiped out again. So fishing boats were instead deployed to carry economic migrants out of Senegal. Lawrence discovered that those who survive the voyage to Europe are being employed in near-slavery by ... the subsidised tomato industry.
But this is just one aspect of a scandal that has been missed by almost every journalist in the UK. While we have been fretting about house prices and the Big Brother final, the European trade commissioner, Peter Mandelson, has been seeking to impose new trade agreements on 76 of the world's poorest countries: the African, Caribbean and Pacific (ACP) nations. Posing as "instruments for development", the economic partnership agreements threaten to beggar them.
The people of these countries know that trade is essential to pull them out of poverty. But they also see that unless it is conducted fairly, it impoverishes them more. Many are aware that the European equation of fair trade with free trade is nonsense.
Neoliberal economists claim rich countries got that way by removing their barriers to trade. Nothing could be further from the truth. As Ha-Joon Chang shows in his book Kicking Away the Ladder, Britain discovered its enthusiasm for free trade only after it had achieved economic dominance. The industrial revolution was built on protectionism: in 1699, for example, we banned the import of Irish woollens; in 1700 we banned cotton cloth from India. To protect our infant industries, we imposed ferocious tariffs (trade taxes) on almost all manufactured goods.
By 1816 the US had imposed a 35% tax on most imported manufactures, which rose to 50% in 1832. Between 1864 and 1913 it was the most heavily protected nation on earth, and the fastest-growing. It wasn't until after the second world war, when it had already become top dog, that it dropped most of its tariffs. The same strategy was followed by Japan, South Korea, Taiwan and almost every other country that is rich today. Within the ACP nations, the great success story of the past 30 years is the country whose protectionism has been fiercest: during the 1980s and 1990s, Mauritius imposed import tariffs of up to 80%. Protectionism, which can be easily exploited by corrupt elites, does not always deliver wealth; but development is much harder without it.
Mandelson's attempt to deprive the poor nations of these strategies is just one of the injustices he is trying to impose. While he wants the ACP countries to eliminate tariffs on the import of almost all goods, Europe will sustain its farm subsidies. In combination, these policies could put millions out of work.
As Oxfam shows, he's also negotiating to let European corporations muscle out local firms and make privatisation legally irreversible, threatening people's access to health, education, water and banking. The ACP countries would be forbidden to impose tough capital controls in a financial crisis: the need for European companies to get their money out takes precedence over the economic survival of the poor. He wants them to adopt a plant-breeding treaty that bans farmers from saving their own seeds.
Mandelson tried to force all this through by last December, warning the ACP countries that if they didn't sign up by then, world trade rules would ensure that they lost their preferential trading status with Europe. The UN trade adviser Dr Dan Gay tells me that people in the talks between the European commission, Fiji and Papua New Guinea claim that "Mandelson shouted 'neocolonial style' at ministers, suggesting that they were so incompetent that they had to rely on foreign advisers". Mandelson's office says he "did express the wish to negotiate with ministers present, rather than their advisers. However, he did not shout 'neocolonial style' at anyone."
Either way, there is no question that the ACP countries have been bullied. In December their trade ministers published a joint statement deploring "the enormous pressure that has been brought to bear on the ACP states by the European commission". Over half of them refused to sign anything; the rest initialled draft agreements. Mandelson is still twisting arms, trying to force the treaties through as quickly as possible. Last week the Caribbean heads of state were due to commit themselves, but pulled back at the last minute; they hold a meeting tomorrow to decide what to do next. I hope they have the balls to tear the whole thing up and start again.
If the aim of these negotiations had been to enrich European companies at the expense of the poor, Peter Mandelson has done well. If, as the commission claims, the partnership agreements are "primarily conceived as an instrument for development", his interventions have been disastrous. He appears to have pursued these talks in the style of a 21st-century viceroy: no humanitarian concern is allowed to obstruct commercial interests.
In the short term, and within a limited frame of reference, the commission's tactics might enhance our self-interest. But we are better than this. If the people of Europe knew what was being done in their name, I doubt that one in 10 would support it.
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