Sunday, 27 January 2013

‘Life of Pi’ Ending Explained


  

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'Life of Pi' Ending Explained
Ang Lee’s Life of Pi is racking-up critical acclaim (read our review) and pre-award season buzz along with solid box office numbers. Though, for every mention of the film’s beautiful 3D or amazing CGI tiger, there’s a fuddled viewer confused by the movie’s controversial ending.

Ben Kendrick

Readers of Yann Martel’s original novel (the ones who made it to the end) have already faced the challenging last-minute question presented by the story’s narrator, but filmgoers expecting a fanciful adventure at sea have been understandably caught off-guard by the finale. No doubt, viewers will debate the ending with friends and family – but to help steer discussion we’ve put together a brief analysis of the Life of Pi ending, explaining why the final question may not be as cut and dry as some moviegoers seem to think.
It goes without saying that the remainder of this article will contain MAJOR SPOILERS for Life of Pi - the movie and the book (especially the ending). If you do not want to be spoiled about either, turn away now.

The 'Life of Pi' Shipwreck

For anyone who hasn’t seen (or read) Life of Pi and isn’t concerned about having the ending spoiled, Pi’s adventure concludes in a Mexican hospital bed – where he is interviewed by a pair of Japanese Ministry of Transport officials. The agents tell Pi that his story – which includes multiple animal companions and a carnivorous island – is too unbelievable for them to report, so Pi tells them a different version of the story: one that paints a much darker and emotionally disturbing variation of events. After both stories have been shared, Pi leaves it up to the viewer (or reader) to decide which version they “prefer.”

Personal “preference” has larger thematic meaning, when viewed in the context of the overarching story; however, before we analyze the ending (via the question) in greater detail, we’re going to briefly lay out the two versions of Pi’s story.

In both accounts, Pi’s father contracts a Japanese ship to transport his family, along with a number of their zoo animals, from India to Canada in an effort to escape political upheaval in their native country. The stories are identical up until Pi climbs aboard the lifeboat (following the sinking of the cargo ship) only re-converging when he is rescued on the Mexican shore. The 227 days that Pi spends lost at sea are up for debate.

Richard Parker in 'Life of Pi'


The Animal Story


In this version of Pi’s tale, the cargo ship sinks and, during the ensuing chaos, he is joined on the lifeboat by a ragtag group of zoo animals that also managed to escape: an orangutan, a spotted hyena, a zebra with a broken leg, and a Bengal Tiger (named Richard Parker). After some time, Pi watches helplessly as the hyena kills the zebra and then the orangutan before it is, subsequently, dispatched by Richard Parker. Pi then sets about conditioning the tiger through rewarding behavior (food and fresh water), so that the two can co-exist in the boat. Though Pi succeeds, the pair remain on the verge of starvation – until, after several months at sea, they wash ashore an uncharted island packed with fresh vegetation and a bountiful meerkat population. Pi and Richard Parker stuff themselves, but soon discover that the island is home to a carnivorous algae that, when the tide arrives, turns the ground to an acidic trap. Pi realizes that eventually the island will consume them – so he stocks the lifeboat with greens and meerkats and the pair sets sail again. When the lifeboat makes landfall along the Mexican coast, Pi and Richard Parker are once again malnourished – as Pi collapses on the beach, he watches the Bengal Tiger disappear into the jungle without even glancing back.

Pi is brought to a hospital – where he tells the animal story to the Japanese officials. However, when the agents do not believe his tale, the young survivor tells a different version of his journey.

Suraj Sharma in 'Life of Pi'


The Human Story


In this version of Pi’s tale the cargo ship still sinks, but instead of the ragtag group of animals in the lifeboat, Pi claims that he was joined by his mother (Gita), the ship’s despicable cook, and an injured Japanese sailor. After some time, fearing for the limited supplies in the boat, the cook kills the weakened Japanese sailor, and later, Gita. Scarred from watching his mother die in front of his eyes, Pi kills the cook in a moment of self-preservation (and revenge).
Pi does not mention his other adventures at sea (the carnivorous island, etc) but it’d be easy to strip away some of the fantastical elements in favor of more grounded (albeit allegorical) situations. Maybe he found an island but realized that living is more than just eating and existing – deciding to take his chances at sea instead of wasting away in apathy on a beach eating meerkats all alone. Of course, that is purely speculation – since, again, Pi does not elaborate on the more grounded human story beyond the revelation that he was alone on the lifeboat.



The Ending Explained


Even if the connection between the lifeboat parties was missed, the writer makes the connection for the audience (or readers): the hyena is the cook, the orangutan is Pi’s mother, the zebra is the sailor, and Richard Parker is Pi. However, the film’s juxtaposition of the animal story and the human story has led many moviegoers to view the last-minute plot point as a finite “twist” – which was not the original intention of Martel (with the book) or very likely Lee (with the film). Viewers have pointed to the look of anguish on Pi’s face during his telling of the human story in the film as “proof” that he was uncomfortable facing the true horror of his experience. However, the novel takes the scene in the opposite direction, with Pi expressing annoyance at the two men – criticizing them for wanting “a story they already know.” Either way, much like the ending of Inception (read ourexplanation of that ending), there is no “correct” answer – and Life of Piintentionally leaves the question unanswered so that viewers (and readers) can make up their own mind.

Facing the final question, it can be easy to forget that, from the outset, The Writer character was promised a story that would make him believe in God. In the first part of the narrative, we see Pi struggling to reconcile the differences between faith interpretations (Hinduism, Christianity, and Islam) – acknowledging that each of them contained valuable elements, even if they tell different stories (elements that together help him survive his ordeal at sea regardless of whether or not he was there with a tiger).

As a result, the larger question is impossible to answer definitively and, as mentioned, the “truth” of Pi’s story is of little concern to Martel or Lee. The real question is – which story do you, the viewer/reader prefer? Interpretation is subjective but the question is intended to serve as a moment of theological reflection. Are you a person that prefers to believe in things that always make sense/things that you can see? Or are you a person that prefers to believe in miracles/take things on faith? There are no right or wrong answers – just an opportunity for introspection.

The Carnivorous Island in 'Life of Pi'

Pi is faced with a heavy challenge: telling a story that will make a person believe in God. Some listeners might remain unconvinced but in the case of The Writer, who openly admits that he prefers the story with the tiger, and the Japanese officials, who in their closing report remarked on the feat of “surviving 227 days at sea… especially with a tiger,” Pi successfully helps skeptics overcome one of the largest hurdles to faith – believing in the unbelievable.

Since Pi marries The Writer’s preference for the Tiger story with the line, “and 
so it goes with God,” it’s hard to separate the question entirely from theology. Evidenced by his multi-religion background, Pi does not believe that any of the world’s religions are a one-stop shop for the truth of God – and his goal is not to convert anyone to a specific dogma. Instead, his story is set up to help viewers/readers consider which version of the world they prefer – the one where we make our own way and suffer through the darkness via self-determination, or the one where we are aided by something greater than ourselves (regardless of which version of “God” we may accept).
That said, aside from all the theological implications, and regardless of personal preference, it’s insular to view the ending as simply a dismissal of everything that Pi had previously described (and/or experienced) – since, in keeping with his view that every religious story has worthwhile parts, a third interpretation of the ending could be that the “truth” is a mix of both stories. Like Pi and his three-tiered faith routine, the viewer/reader can always pick and choose the parts that benefit their preferred version of the tale.

Suraj Sharma in 'Life of Pi'

The “truth”: Pi survived for 227 days at sea, married the girl of his dreams, had children, and lived to tell two stories.

Like any quality piece of entertainment, a lot of this is subjective and there are multiple ways of interpreting the Life of Pi ending, so feel free to (respectfully) share your interpretation with fellow moviegoers in the comment section below.

2 comments:

  1. An extract of a review of the film by Kofi Outlaw is what I agree with:

    Where Life of Pi falls short of “classic” status is in David Magee’s (Finding Neverland) screenplay. The tone is well balanced, the character and narrative development is lively and focused (a bit of meandering here and there) and Magee finds places to inject real emotion into the tale; ultimately, the problem with the script is a thematic one. The opening and closing acts of the film (like the novel) deal heavily with the idea of spirituality and religion, centering around Pi and his choice to believe in many faiths – a seeming contradiction for most people. The middle act (on the boat/raft) is meant to be a parable in which “the writer” character (and subsequently we the audience) come to understand Pi’s views on God and life – but this is where the film version falls short.

    The problem is that in the middle act, Magee shifts the story to a relationship drama between Pi and Richard Parker, and though there is still some time devoted to exploring Pi’s relationship with God during his trial at sea, that element of the narrative is superseded by the boy/animal dynamic and an indulgence on Lee’s part in the visual composition. The third act of the story (in both book and movie) attempts to throw in a twist and end things on a cumulative statement by Pi, intended to bring all the elements of the story together into a philosophical point about the nature of God – but I don’t think that resolution has the profound impact the movie seems to think it does.

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  2. Alot of people seemed to miss this at the very end of the movie - it shows richard parker staring into the jungle and seeing the smiling face of Pi! That is why he did not look back, Pi is in eyes and his soul...then he leaps into the jungle

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